Samba in Wales: Making sense of adopted music

Abstract

This study examines the relationships between street samba percussion as performed by a band in Wales and the players’ reported understanding of its significance for them as a group and as individuals. The questions of how the music first revealed itself to the informants and what preconceptions and prior experience they brought to it are addressed. The ethnography takes into account the cultural and linguistic context represented by a Welsh‐speaking area, and the practice in Wales is compared with observations made in Bahia, Brazil.

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