References

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Cited by

• 2007Heinichen, Rameau, and the Italian Thoroughbass Tradition55 cited
• 2013The Viennese symphony 1750 to 182735 cited
• 1991Fetis's "Tonality" as a Metaphysical Principle: Hypothesis for a New Science33 cited
• 2011Schenker and Schoenberg on the Will of the Tone25 cited
• 2013The Cambridge Companion to the Symphony22 cited
• 2007The Early Reception of Neapolitan Partimento Theory in France13 cited
• 2011Tonality between Rule and Repertory; Or, Riemann's Functions—Beethoven's Function10 cited
• 2000Metric Mutation and Modulation: The Nineteenth-Century Speculations of F.-J. Fetis8 cited
• 2013Cyclical thematic processes in the nineteenth-century symphony5 cited
• 2013Other classical repertories4 cited
• 2013The symphony in Britain: guardianship and renewal3 cited
• 2013Introduction: understanding the symphony3 cited
• 2013Beethoven’s shadow: the nineteenth century3 cited
• 2013The symphony since Mahler: national and international trends2 cited
• 2013Harmonies and effects: Haydn and Mozart in parallel2 cited