Performing identity: an analysis of gender expressions at the Whitby goth festival

Abstract

The paper looks at the nature of gender identities within the gothic subculture, a subculture firmly rooted in objects of consumption and bonded together by a common fascination with the iconic figure of the vampire. We argue that the gothic scene is a site of praxis where accepted gender norms are challenged and alternative sexual politics are established through a variety of gendered performances. Based on the findings of a qualitative study conducted at the bi‐annual goth festival at Whitby, we explore the emergent performative themes of “putting the curves back in the feminine,” “gender as fantasy,” “gender ideal as a holy grail,” “blurring the boundaries” and “gender as fetishism.” We conclude by discussing how these performances serve to challenge orthodox conventions of gendered aesthetics and contribute toward the construction and expression of self.

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