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Black Music in the Circum-Caribbean
3 references·8 citing·36 second hop
Black Music in the Circum-Caribbean (1999)Black Music in the Circum-CaribbeanThe Power of Black Music: Interpreting its History from Africa to the United States. (1997)The Power of Black Music: Int…Puerto Rican Music and Cultural Identity: Creative Appropriation of Cuban Sources from Danza to Salsa (1994)Puerto Rican Music and Cultur…Popular musics of the non-Western world: an introductory survey (1989)Popular musics of the non-Wes…The Invention of Latin American Music (2020)The Invention of Latin Americ…The ‘routes’ and ‘roots’ ofdanzón: a critique of the history of a genre (2011)The ‘routes’ and ‘roots’ ofda…Creolizing contradance in the Caribbean (2010)Creolizing contradance in the…Interpreting the African-American Musical Past: A Dialogue (2009)Interpreting the African-Amer…Black Music and Writing Black Music History: American Music and Narrative Strategies (2008)Black Music and Writing Black…Signifyin(g): A semiotic analysis of symphonic works by William Grant Still, William Levi Dawson, and Florence B. Price (2007)Signifyin(g): A semiotic anal…Louis Moreau Gottschalk, John Sullivan Dwight, and the development of musical culture in the United States, 1853--1865 (2007)Louis Moreau Gottschalk, John…Tangled roots: Kalenda and other neo-African dances in the circum-Caribbean (2004)Tangled roots: Kalenda and ot…The Black Image in the White Mind: The Debate on Afro-American Character and Destiny, 1817-1914 (1974)A People's History of the United States: 1492-Present (1980)“Our War-Songs” (1864): Popular Song and Music Criticism during the American Civil War (2017)The Wages of Whiteness (2017)First-Time: The Historical Vision of an African American People (1983)That Event, This Memory: Notes on the Anthropology of African Diasporas in the New World (1991)Diasporas (1994)Performing Rites (1996)Performing rites: on the value of popular music (1997)Aficionados, Academics, and Danzón Expertise: Exploring Hierarchies in Popular Music Knowledge Production (2014)The Expediency of Blackness: Racial Logics and Danzón in the Port of Veracruz, Mexico (2016)The Atlantic Slave Trade: A Census. (1970)African Rhythm and African Sensibility (1982)The Birth of African-American Culture: An Anthropological Perspective. (1993)Popular Music in Puerto Rico: Toward an Anthropology of "Salsa" (1984)Micromusics of the West: A Comparative Approach (1992)Reputation in a Musical Scene: The Everyday Context of Connections between Music, Identity and Politics (1998)Managing in the creative industries: Managing the motley crew (2009)Soundscapes: Toward a Sounded Anthropology (2010)Slave songs of the United States (1867)Exchanging Our Country Marks: The Transformation of African Identities in the Colonial and Antebellum South. (1999)The Soundscape: Our Sonic Environment and the Tuning of the World (1993)Love and Theft: Blackface Minstrelsy and the American Working Class. (1994)Changing Highbrow Taste: From Snob to Omnivore (1996)Fronteras porosas, sonidos conectados: transnacionalidad de la Nueva Canción a través de sus escritos (2022)Translocal art worlds. Mobilities, routes, and conventions (2022)Transatlantic LatinX studies, Iberian studies, and the Global South (2024)Participatory Discrepancies and the Power of Music (1987)Caribbean and Atlantic diaspora dance: igniting citizenship (2012)Creolization as balancing act in the transoceanic quadrille: Choreogenesis, incorporation, memory, market (2020)Riffs, Repetition, and Theories of Globalization (1999)The Rise of a Jazz Art World (2002)Race, Blacksound, and the (Re)Making of Musicological Discourse (2019)The cassette industry and popular music in North India (1991)Singing culture : a study of gospel music in Zimbabwe (2002)The Cambridge Companion to Percussion (2016)
this work references cited by second hop

References

  • 1997The Power of Black Music: Interpreting its History from Africa to the United States.330 cited
  • 1989Popular musics of the non-Western world: an introductory survey151 cited
  • 1994Puerto Rican Music and Cultural Identity: Creative Appropriation of Cuban Sources from Danza to Salsa83 cited

Cited by

  • 2020The Invention of Latin American Music41 cited
  • 2010Creolizing contradance in the Caribbean27 cited
  • 2004Tangled roots: Kalenda and other neo-African dances in the circum-Caribbean21 cited
  • 2011The ‘routes’ and ‘roots’ ofdanzón: a critique of the history of a genre20 cited
  • 2009Interpreting the African-American Musical Past: A Dialogue17 cited
  • 2007Louis Moreau Gottschalk, John Sullivan Dwight, and the development of musical culture in the United States, 1853--18655 cited
  • 2008Black Music and Writing Black Music History: American Music and Narrative Strategies5 cited
  • 2007Signifyin(g): A semiotic analysis of symphonic works by William Grant Still, William Levi Dawson, and Florence B. Price4 cited

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