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Outside the Box: The Female Spectator, The Fair Penitent, and the Kelly Riots of 1747
12 references·0 citing·27 second hop
Outside the Box: The Female Spectator, The Fair Penitent, and the Kelly Riots of 1747 (2005)Outside the Box: The Female Spectator, Th…Broken Boundaries: Women and Feminism in Restoration Drama (2015)Broken Boundaries: Women and …The Feminist Spectator as Critic (2012)The Feminist Spectator as Cri…Clearing the Stage: Gender, Class, and the Freedom of the Scenes in Eighteenth-Century Dublin (2004)Clearing the Stage: Gender, C…Riotous performances : the struggle for hegemony in the Irish theater, 1712-1784 (2003)Riotous performances : the st…The Tender Mother and the Faithful Wife: Theater, Charity, and Female Subjectivity in Eighteenth-Century Ireland (2002)The Tender Mother and the Fai…A traitor's kiss: the life of Richard Brinsley Sheridan, 1751-1816 (1999)A traitor's kiss: the life of…The First English Actresses: Women and Drama 1660-1700 (1993)The First English Actresses: …Sexual Suspects: Eighteenth-Century Players and Sexual Ideology (1992)Sexual Suspects: Eighteenth-C…She-Tragedy and Its Men: Conflict and Form in The Orphan and The Fair Penitent (1990)She-Tragedy and Its Men: Conf…Playgoing in Shakespeare's London. (1988)Playgoing in Shakespeare's Lo…The Early Irish Stage: the Beginnings to 1720 (1973)The Early Irish Stage: the Be…A Short View of the Immorality and Profaneness of the English Stage. (1971)A Short View of the Immoralit…Religion, Law, And Power (1992)Renaissance clothing and the materials of memory (2001)Renaissance Self-Fashioning (2005)Introduction: the theatre from 1660 to 1800 (2004)Theatre companies and regulation (2004)Ireland, Enlightenment and the English Stage, 1740-1820 (2019)Religion and literature (2005)The Cambridge History of English Literature, 1660–1780 (2005)The Cambridge Introduction to Theatre Studies (2008)Literature in English, 1550–1690: from the Elizabethan settlement to the Battle of the Boyne (2006)Irish theater in America: essays on Irish theatrical diaspora (2009)The Cambridge History of British Theatre (2004)A Literary History of Women's Writing in Britain, 1660–1789 (2006)Women and Shakespeare in the Restoration and Eighteenth Century (2008)The Cambridge History of the Book in Britain (2002)Literature and London (2003)Crucial Advice on how to Get the Guy: The Rhetorical Vision of Power and Seduction in the Teen Magazine YM (1996)Playful Reconstruction of Gender in P'ansori Storytelling (1998)Trying (on) Gender: Modern Greek Productions of Aristophanes' Thesmophoriazusae (2002)Citizenship, Empire, and Modernity in the English Provinces, c. 1720- 1790 (1995)Performance and Identity in the Classical World (2006)Touching Byron: Masculinity and the Celebrity Body in the Romantic Period (2010)Restoration Women Playwrights and the Limits of Professionalism (1997)Rape and the Female Subject in Aphra Behn's The Rover (1998)Aphra Behn's The City Heiress : Feminism and the Dynamics of Popular Success on the Late Seventeenth-Century Stage (2007)Theatre in Ireland, 1690–1800: from the Williamite wars to the Act of Union (2006)Mapping Irish Theatre: Theories of Space and Place (2013)
this work references cited by second hop

References

  • 1988Playgoing in Shakespeare's London.461 cited
  • 1971A Short View of the Immorality and Profaneness of the English Stage.200 cited
  • 1992Sexual Suspects: Eighteenth-Century Players and Sexual Ideology141 cited
  • 2015Broken Boundaries: Women and Feminism in Restoration Drama120 cited
  • 2012The Feminist Spectator as Critic113 cited
  • 1993The First English Actresses: Women and Drama 1660-1700109 cited
  • 2003Riotous performances : the struggle for hegemony in the Irish theater, 1712-178472 cited
  • 1999A traitor's kiss: the life of Richard Brinsley Sheridan, 1751-181654 cited
  • 1973The Early Irish Stage: the Beginnings to 172016 cited
  • 2004Clearing the Stage: Gender, Class, and the Freedom of the Scenes in Eighteenth-Century Dublin10 cited
  • 1990She-Tragedy and Its Men: Conflict and Form in The Orphan and The Fair Penitent9 cited
  • 2002The Tender Mother and the Faithful Wife: Theater, Charity, and Female Subjectivity in Eighteenth-Century Ireland4 cited

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