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Straightening the Record: Morton Feldman's Return to Graph Music
13 references·0 citing·30 second hop
Straightening the Record: Morton Feldman's Return to Graph Music (2013)Straightening the Record: Morton Feldman'…Changing the System: The Music of Christian Wolff (2016)Changing the System: The Musi…Silence : lectures and writings (2011)Silence : lectures and writin…Changing the system: the music of Christian Wolff (2010)Changing the system: the musi…Chance and circumstance: twenty years with Cage and Cunningham (2007)Chance and circumstance: twen…Henry Cowell and John Cage: Intersections and Influences, 1933–1941 (2006)Henry Cowell and John Cage: I…Give My Regards to Eighth Street: Collected Writings of Morton Feldman (2004)Give My Regards to Eighth Str…Henry Cowell and Modern Dance: the Genesis of Elastic Form (2002)Henry Cowell and Modern Dance…Neither : die Musik Morton Feldmans (2000)Neither : die Musik Morton Fe…Merce Cunningham: fifty years (1998)Merce Cunningham: fifty yearsThe Imprisonment of Henry Cowell (1991)The Imprisonment of Henry Cow…Changes: notes on choreography (1968)Changes: notes on choreographyAn Interview with John Cage (1965)An Interview with John CageNew York (1952)New YorkThe Cambridge Companion to John Cage (2002)Conversing with Cage (2003)Capturing sound: how technology has changed music (2005)John Cage in Separate Togetherness with Jazz (2012)Music, dance and the total art work: choreomusicology in theory and practice (2012)The Gay Divorce of Music and Dance: Choreomusicality and the Early Works of Cage-Cunningham (2018)The History of Sexuality (1976)The New Grove Dictionary of Music and Musicians (1981)Henry Cowell, John Varian, and Halcyon (1993)Music and Sexuality: On the Steblin/Solomon Debate (1993)The New Grove dictionary of music and musicians (2001)The Law of the Oppressed: The Construction and Reproduction of Legality in Pasargada (1977)Improvised Music after 1950: Afrological and Eurological Perspectives (1996)Improvised Music after 1950: Afrological and Eurological Perspectives (2002)Fighting with Words: American Composers' Commentary on Their Work (1985)The Spectacle of the Anti-Spectacle: Happenings and the Situationist International (1992)Techniques of appropriation in music of John Cage (2001)The Americas, 1945–70 (1993)Kinesthetic Memory (2007)Moving Words: Five Instances of Dance Writing (2011)The Human Situation on Stage: Merce Cunningham, Theodor Adorno, and the Category of Expression (2010)Inheriting the Avant-Garde: Merce Cunningham, Marcel Duchamp, and the “Legacy Plan” (2013)Play Dead: Dance, Museums, and the “Time-Based Arts” (2014)Stereophonica (2021)Morton Feldman's Graphic Notation:Projectionsand Trajectories (2012)‘The Breathing of Sound Itself’: Notation and Temporality in Feldman's Music to 1970 (2013)It Must Mean Something: Narrative in Beckett'sMolloyand Feldman'sTriadic Memories (2013)The Cambridge History of Musical Performance (2012)Vocal performance in the seventeenth century (2012)Performance Practice in the Music of Steve Reich (2016)
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References

  • 2011Silence : lectures and writings864 cited
  • 2004Give My Regards to Eighth Street: Collected Writings of Morton Feldman126 cited
  • 1965An Interview with John Cage73 cited
  • 1968Changes: notes on choreography57 cited
  • 1991The Imprisonment of Henry Cowell55 cited
  • 2006Henry Cowell and John Cage: Intersections and Influences, 1933–194148 cited
  • 2007Chance and circumstance: twenty years with Cage and Cunningham45 cited
  • 1998Merce Cunningham: fifty years41 cited
  • 2000Neither : die Musik Morton Feldmans25 cited
  • 2010Changing the system: the music of Christian Wolff16 cited
  • 2002Henry Cowell and Modern Dance: the Genesis of Elastic Form14 cited
  • 1952New York6 cited
  • 2016Changing the System: The Music of Christian Wolff5 cited

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