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Matthew Barney and the Paradox of the Neo-Avant-Garde Blockbuster
12 references·0 citing·31 second hop
Matthew Barney and the Paradox of the Neo-Avant-Garde Blockbuster (2006)Matthew Barney and the Paradox of the Neo…Hard Bodies: Hollywood Masculinity in the Reagan Era (2017)Hard Bodies: Hollywood Mascul…The Work of Art in the Age of Mechanical Reproduction (2007)The Work of Art in the Age of…Remembering Yoko Ono's Cut Piece (2003)Remembering Yoko Ono's Cut Pi…Titanic: anatomy of a blockbuster (2000)Titanic: anatomy of a blockbu…Stargazer: The Life, World and Films of Andy Warhol (2000)Stargazer: The Life, World an…Out of Actions: Between Performance and the Object, 1949-1979 (1998)Out of Actions: Between Perfo…“Presence”in Absentia (1997)“Presence”in AbsentiaThe Writings Of Marcel Duchamp (1989)The Writings Of Marcel DuchampTheory of the Avant-Garde (1985)Theory of the Avant-GardeSculpture in the Expanded Field (1979)Sculpture in the Expanded Fie…Minimal art: a critical anthology (1968)Minimal art: a critical antho…La société du spectacle (1967)La société du spectacleUnmarked: The Politics of Performance (1994)Marina Abramović'sSeven Easy Pieces:Critical Documentation Strategies for Preserving Art's History (2008)“The Artist is Present”: Artistic Re-enactments and the Impossibility of Presence (2011)Between narratives and lists: performing digital intangible heritage through global media (2013)Consumer Identity Work as Moral Protagonism: How Myth and Ideology Animate a Brand-Mediated Moral Conflict (2009)Masculinities in place: situated identities, relations and intersectionality (2009)Masculine Republicans and Feminine Democrats: Gender and Americans’ Explicit and Implicit Images of the Political Parties (2010)Reward Systems in Art, Science, and Religion (1976)Editor's Note: Dance in the Museum (2014)Dance and the Gallery: Curation as Revision (2015)Disjuncture and Difference in the Global Cultural Economy (1990)Can Consumers Escape the Market? Emancipatory Illuminations from Burning Man (2002)Extended Self in a Digital World: Table 1. (2013)Creative Cities: Conceptual Issues and Policy Questions (2006)Understanding Alternative Media (2007)Visibility (2007)Critical pedagogy and predatory culture (1994)T. S. Eliot and the Cultural Divide (1995)The Mass Production of the Senses: Classical Cinema as Vernacular Modernism (2009)Dialogues and Doings: Sketching the Relationships Between Geography and Art (2011)Geography and art. An expanding field (2012)Image, Space, Revolution: The Arts of Occupation (2012)State v. (Anti-)Art: Model 1,000-Yen Note Incident by Akasegawa Genpei and Company (2002)Improvisation and Social Aesthetics (2017)The Multisensory Experience of Handling and Reading Books (2020)Quantifying Artistic Success: Ranking French Painters—and Paintings—from Impressionism to Cubism (2002)Conceptual revolutions in twentieth-century art (2010)Prosumption in Art (2011)Transitional tastes: Teen girls and genre in the critical reception of Twilight (2010)“Anyone who Calls Muse a Twilight Band will be Shot on Sight”: Music, Distinction, and the “Interloping Fan” in the Twilight Franchise (2013)Towards a theory of organizational storytelling for public relations: An engagement perspective (2023)
this work references cited by second hop

References

  • 2007The Work of Art in the Age of Mechanical Reproduction3,820 cited
  • 1985Theory of the Avant-Garde744 cited
  • 1979Sculpture in the Expanded Field678 cited
  • 1967La société du spectacle502 cited
  • 2017Hard Bodies: Hollywood Masculinity in the Reagan Era318 cited
  • 1997“Presence”in Absentia180 cited
  • 1989The Writings Of Marcel Duchamp159 cited
  • 1998Out of Actions: Between Performance and the Object, 1949-1979137 cited
  • 1968Minimal art: a critical anthology105 cited
  • 2000Titanic: anatomy of a blockbuster90 cited
  • 2003Remembering Yoko Ono's Cut Piece61 cited
  • 2000Stargazer: The Life, World and Films of Andy Warhol41 cited

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