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Shameful, Impure Art: Robert Crumb’s Autobiographical Comics and the Confessional Poets
13 references·1 citing·37 second hop
Shameful, Impure Art: Robert Crumb’s Autobiographical Comics and the Confessional Poets (2012)Shameful, Impure Art: Robert Crumb’s Auto…Autobiography as Defacement (2016)Autobiography as DefacementAutography's Biography, 1972–2007 (2008)Autography's Biography, 1972–…Autographics: The Seeing "I" of the Comics (2006)Autographics: The Seeing "I" …Public Dreams: Berryman, Celebrity, and the Culture of Confession (2001)Public Dreams: Berryman, Cele…When Memory Speaks: Reflections on Autobiography. (1999)When Memory Speaks: Reflectio…The Ten-Cent Plague: The Great Comic Book Scare And How It Changed America (1999)The Ten-Cent Plague: The Grea…The Given and the Made: Strategies of Poetic Redefinition (1995)The Given and the Made: Strat…From Puritanism to postmodernism: a history of American literature (1992)From Puritanism to postmodern…Comic books as history: the narrative art of Jack Jackson, Art Spiegelman, and Harvey Pekar (1990)Comic books as history: the n…The New comics (1988)The New comicsThe Harper American literature (1987)The Harper American literatureThe Dream Songs (1969)The Dream SongsLife Studies and For the Union Dead (1967)Life Studies and For the Unio…Comics and/as documentary : the implications of graphic truth-telling (2014)Comics and/as documentary : t…The body in pain (1985)Fun Home: A Family Tragicomic (2006)The Space Between: A Narrative Approach to Alison Bechdel’s Fun Home (2011)Hospice Comics: Representations of Patient and Family Experience of Illness and Death in Graphic Novels (2014)Working it Through: Trauma and Autobiography in Phoebe Gloeckner’s A Child’s Life and The Diary of a Teenage Girl (2015)Comics and Sequential Art (1985)Understanding Comics: The Invisible Art (1998)Globalization and the Claims of Postcoloniality (2001)Autographic Disclosures and Genealogies of Desire in Alison Bechdel's Fun Home (2008)Self-Regarding Art (2008)Graphic medicine: comics as medical narrative (2012)Advertising the American Dream (1985)The structural transformation of the public sphere: an inquiry into a category of bourgeois society (1990)Celebrity and power: fame in contemporary culture (1997)Emily Dickinson (2014)Multilingualism in Contemporary American Poetry (2014)The Cambridge History of American Poetry (2014)Marketing as Multiplex: Screening Postmodernism (1994)The One All-Black Town Worth the Pain: (African) American Exceptionalism, Historical Narration, and the Critique of Nationhood in Toni Morrison's Paradise (2001)American Orientalism and American Exceptionalism: A Critical Rethinking of US Hegemony (2009)“Daddy, I Have Had to Kill You”: Plath, Rage, and the Modern Elegy (1993)Manishevitz and Sake, the Kaddish and Sutras: Allen Ginsberg's Spiritual Self-Othering (2010)The commons: Infrastructures for troubling times* (2016)The Comics of Chris Ware (2010)Seducing the Innocent: Fredric Wertham and the Falsifications That Helped Condemn Comics (2012)The graphic novel an introduction (2015)Postmodernism and subjectivity. (1990)Writing to redundancy: approaches to spiritual journals and early modern spirituality (1996)Martial's Rome: Empire and the Ideology of Epigram (2008)Breaking Down: A Phenomenology of Disability (2001)Interpreting Silence and Voice in the Workplace (2003)Autobiographical Understanding and Narrative Inquiry (2007)Critical Literacies and Graphic Novels for English‐Language Learners: Teaching Maus (2009)Looking on the Dark and Bright Side: Creative Metaphors of Depression in Two Graphic Memoirs (2014)The Cambridge Companion to the Graphic Novel (2017)Robert Lowell's Monumental Vision: History, Form, and the Cultural Work of Postwar American Lyric (2000)Jorie Graham's _____ s (2003)
this work references cited by second hop

References

  • 2016Autobiography as Defacement366 cited
  • 1999The Ten-Cent Plague: The Great Comic Book Scare And How It Changed America292 cited
  • 2006Autographics: The Seeing "I" of the Comics284 cited
  • 1990Comic books as history: the narrative art of Jack Jackson, Art Spiegelman, and Harvey Pekar202 cited
  • 1992From Puritanism to postmodernism: a history of American literature96 cited
  • 1999When Memory Speaks: Reflections on Autobiography.77 cited
  • 2001Public Dreams: Berryman, Celebrity, and the Culture of Confession69 cited
  • 1995The Given and the Made: Strategies of Poetic Redefinition58 cited
  • 2008Autography's Biography, 1972–200756 cited
  • 1967Life Studies and For the Union Dead56 cited
  • 1987The Harper American literature45 cited
  • 1969The Dream Songs40 cited
  • 1988The New comics6 cited

Cited by

  • 2014Comics and/as documentary : the implications of graphic truth-telling4 cited

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