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A MELUS Interview: Maxine Hong Kingston
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A MELUS Interview: Maxine Hong Kingston (1989)A MELUS Interview: Maxine Hong KingstonLiterary Racial Impersonation (2022)Literary Racial ImpersonationGender Crossing in Maxine Hong Kingston's Tripmaster Monkey (1997)Gender Crossing in Maxine Hon…Monkey Kings and Mojo: Postmodern Ethnic Humor in Kingston, Reed, and Vizenor (1996)Monkey Kings and Mojo: Postmo…"What Stories the Wind Would Tell": Representation and Appropriation in Maxine Hong Kingston's China Men (1994)"What Stories the Wind Would …The Signifying Monkey: A Theory of African-American Literary Criticism (1988)Dust Tracks on a Road : An Autobiography (1991)Narrative Chance: Postmodern Discourse on Native American Indian Literatures (1994)Literary Genre as Ethnic Resistance in Maxine Hong Kingston's Tripmaster Monkey: His Fake Book (2004)Gerald Vizenor's Metaphysics (2007)Developing Ties to the Past: Photography and Other Sources of Information in Maxine Hong Kingston's China Men (1983)No Lost Paradise: Social Gender and Symbolic Gender in the Writings of Maxine Hong Kingston (1987)The Chinese Experience in America (1988)Mother Camp: Female Impersonators in America (1972)Gender Trouble: Feminism and the Subversion of Identity (1991)Vested Interests: Cross-Dressing and Cultural Anxiety (1993)Split Infinities: The Comedy of Performative Identity in Maxine Hong Kingston's Tripmaster Monkey (2005)Playing in the Dark: Whiteness and the Literary Imagination. (1993)Tracking Epistemic Violence, Tracking Practices of Silencing (2011)Justice and the Politics of Difference (2012)
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  • 2022Literary Racial Impersonation43 cited
  • 1996Monkey Kings and Mojo: Postmodern Ethnic Humor in Kingston, Reed, and Vizenor19 cited
  • 1997Gender Crossing in Maxine Hong Kingston's Tripmaster Monkey8 cited
  • 1994"What Stories the Wind Would Tell": Representation and Appropriation in Maxine Hong Kingston's China Men6 cited

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