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Theory, Text-Setting, and Performance

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References

1983The Rhetoric of Fiction1,992 cited
1974The Composer's Voice387 cited
1987Schubert: Critical and Analytical Studies66 cited
1985Aspects of Schenkerian Theory48 cited

Cited by

2007Work Structure and Musical Representation: Reflections on Adorno's Analyses for Interpretation119 cited
1999At the Borders of Musical Identity: Schenker, Corelli and the Graces17 cited
2002T he M usical O bject R evisited12 cited
2012The performer and the composer10 cited
2012Instrumental performance in the nineteenth century6 cited
2002Performance and Hypermetric Transformation6 cited
2012Vocal performance in the nineteenth century6 cited
2012Performance in the ‘long eighteenth century’: an overview5 cited
2012Instrumental performance in the twentieth century and beyond5 cited
2005Analysis and Performance Studies. A Summary of Current Research5 cited
2014In the Process of Becoming: Analytic and Philosophical Perspectives on Form in Early Nineteenth-Century Music3 cited
2012Vocal performance in the Renaissance

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3 cited

2012The teaching of performance2 cited

2012Performance in the Renaissance: an overview2 cited

2012Vocal performance in the twentieth century and beyond2 cited