The Aesthetics of the Invisible: Sacred Music in Secular (French) Places

Deborah A. Kapchan

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Musicology and Musical Analysis Religion and Society Interactions Arts and Performance Studies

Abstract

Is listening a performance? How do “invisible” practices like Sufi Muslim sama', or sacred listening, impact the public and secular spaces of contemporary France? What do listening acts reveal about the political viability and performativity of sacred listening in a secular nation?

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1991Gender Trouble: Feminism and the Subversion of Identity 2018Distinction: A Social Critique of the Judgement of Taste*1978Discipline and Punish: The Birth of the Prison.1996Discipline and Punish: The Birth of the Prison.1980Outline of a Theory of Practice.1982Phenomenology of Perception 2007Outline of a Theory of Practice 2002Upheavals of thought: the intelligence of emotions

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2015Phenomenological Approaches in the History of Ethnomusicology 2023Phenomenological Approaches in the History of Ethnomusicology

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