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“Slackness Personified,” Historicized and Delegitimized
12 references·5 citing·30 second hop
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References

  • 2013There Ain't No Black in the Union Jack1,752 cited
  • 1968Dictionary of Jamaican English508 cited
  • 1999Refashioning Futures: Criticism after Postcoloniality450 cited
  • 1997Noises in the Blood: Orality, Gender, and the "Vulgar" Body of Jamaican Popular Culture.270 cited
  • 1996Caribbean currents: Caribbean music from rumba to reggae215 cited
  • 1998Dictionary of Caribbean English usage. Ed. By Richard Allsopp. (French and Spanish supplement edited By J. E. Allsopp) Oxford: Oxford University Press, 1996. Pp. lxxviii, 697.177 cited
  • 2002Wake the Town and Tell the People: Dancehall Culture in Jamaica130 cited
  • 1999Reggae Routes: The Story of Jamaican Music103 cited
  • 2004Kingstons's Dancehall58 cited
  • 2003Solid Foundation: An Oral History of Reggae57 cited
  • 1997Reggae, Rasta, Revolution : Jamaican Music from Ska to Dub49 cited
  • 2004Making space: Kingston's Dancehall culture and its philosophy of ‘boundarylessness’127 cited

Cited by

  • 2008“My Body is My Piece of Land”: Female Sexuality, Family, and Capital in Caribbean Texts9 cited
  • 2017“Love Dem Bad”: Embodied Experience, Self‐Adoration, and Eroticism in Dancehall7 cited
  • 2014Judge Dread: Music Hall Traditionalist or Postcolonial Hybrid

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6 cited
  • 2010“Why Must All Girls Want to be Flag Women?”6 cited
  • 2013The Anti-Informer and Anti-Snitch Discourses in Dancehall and Rap Songs3 cited