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Straddling the Cultural Chasm: The Great Divide between Music Criticism and Popular Consumption
1 references·8 citing·20 second hop
Straddling the Cultural Chasm: The Great Divide between Music Criticism and Popular Consumption (2010)Straddling the Cultural Chasm: The Great …Ripped: How the Wired Generation Revolutionized Music (2009)Ripped: How the Wired Generat…Heavy metal justice? Calibrating the economic and aesthetic accreditation of the heavy metal genre in the pages of Rolling Stone 1980–91: Part one 1980–851 (2020)Heavy metal justice? Calibrat…Writing about Popular Music (2019)Writing about Popular MusicStop the Press? The Changing Media of Music Criticism (2019)Stop the Press? The Changing …Music Criticism in Norway (2019)Music Criticism in NorwayCritiquing the Canon: The Role of Criticism in Canon Formation (2019)Critiquing the Canon: The Rol…Constructing a Musical Nation: German-Language Criticism in the Nineteenth Century (2019)Constructing a Musical Nation…The online place of popular music: Exploring the impact of geography and social media on pop artists’ mainstream media attention (2016)The online place of popular m…Editorial Introduction: Music Journalism (2014)Editorial Introduction: Music…Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1994)Performing rites: on the value of popular music (1997)Screaming, Crying, Writing Up: Literary Music Journalism Books as a Legitimization of Contemporary Fangirl Practices (2024)The Cultural Economy of Cities (1997)To See and Be Seen: Celebrity Practice on Twitter (2011)Crowdfunding and the democratization of the music market (2016)Location, location, location: how digital platforms reinforce the importance of spatial proximity (2018)“Splendid Isolation”: The reproduction of music industry inequalities in Spotify’s recommendation system (2021)Distinction. A Social Critique of the Judgement of Taste (1985)The structural transformation of the public sphere: an inquiry into a category of bourgeois society (1990)Oxford Dictionary of National Biography (2004)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1984)The emergence of promotional gatekeeping and converged local music professionals on social media (2021)Producing Artistic Value: The Case of Rock Music (1994)Classification as Culture: Types and Trajectories of Music Genres (2008)Authenticity Revisited: The Rock Critic and the Changing Real (2010)Rethinking Business Models in Creative Industries (2014)Information politics: liberation and exploitation in the digital society (2015)From record selling to cultural entrepreneurship: the music economy in the digital paradigm shift (2016)
this work references cited by second hop

References

  • 2009Ripped: How the Wired Generation Revolutionized Music69 cited

Cited by

  • 2019Writing about Popular Music53 cited
  • 2020Heavy metal justice? Calibrating the economic and aesthetic accreditation of the heavy metal genre in the pages of Rolling Stone 1980–91: Part one 1980–85148 cited
  • 2016The online place of popular music: Exploring the impact of geography and social media on pop artists’ mainstream media attention31 cited
  • 2014Editorial Introduction: Music Journalism6 cited
  • 2019Stop the Press? The Changing Media of Music Criticism5 cited
  • 2019Critiquing the Canon: The Role of Criticism in Canon Formation4 cited
  • 2019Music Criticism in Norway3 cited
  • 2019Constructing a Musical Nation: German-Language Criticism in the Nineteenth Century3 cited

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