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The Music Industry in the Digital Era: Toward New Contracts
11 references·16 citing·40 second hop
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this work references cited by second hop

References

  • 1991Software Piracy: An Analysis of Protection Strategies645 cited
  • 2005The Economics of Real Superstars: The Market for Rock Concerts in the Material World322 cited
  • 2006Piracy of Digital Products: A Critical Review of the Theoretical Literature302 cited
  • 2005Why the music industry may gain from free downloading — The role of sampling279 cited
  • 2005Rockonomics: The Economics of Popular Music201 cited
  • 2006Do Artists Benefit from Online Music Sharing?*201 cited
  • 2010International Federation Of The Phonographic Industry164 cited
  • 2005An Economist's Guide to Digital Music108 cited
  • 2003Piracy of Digital Products: A Critical Review of the Economics Literature106 cited
  • 2006Publishers, artists, and copyright enforcement94 cited
  • 2007This business of music : the definitive guide to the music industry28 cited

Cited by

  • 2010Value Networks and Changing Business Models for the Digital Television Industry63 cited
  • 2013Against the digital revolution? Institutional maintenance and artefacts within the French recorded music industry49 cited
  • 2011Is the music industry stuck between rock and a hard place? The role of the Internet and three possible scenarios38 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

2012
Piracy and creation: the case of the music industry
24 cited
  • 2012Are Streaming and Other Music Consumption Modes Substitutes or Complements?22 cited
  • 2012The Evolution of the Music Industry in the Post-Internet Era15 cited
  • 2012On File Sharing with Indirect Network Effects between Concert Ticket Sales and Music Recordings15 cited
  • 2009Indirect network effects with two salop circles: the example of the music industry15 cited
  • 2022Streaming Stimulates the Live Concert Industry: Evidence from YouTube13 cited
  • 2015Musicians and the Creative Commons: A survey of artists on Jamendo11 cited
  • 2012Piracy and Creation: The Case of the Music Industry11 cited
  • 1970The Rise and Expansion of Research in Media Economics9 cited
  • 2009Trading Cultural Goods in the Era of Digital Piracy8 cited
  • 2011Academic Studies on the Effect of File-Sharing on the Recorded Music Industry: A Literature Review8 cited
  • 2012No big deal!? Live Nation's impact on the Belgian festival market7 cited
  • 2013Predictive factors of music piracy: An exploration of personality using the HEXACO PI-R7 cited