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AbstractThe article reconsiders the relationship between art practice and art theory within a hermeneutic framework. It draws out the work of an artwork from the perspective of aesthetic experience by emphasizing the ‘formative role of conflict’ between the sensuous and the conceptual in the process of bringing its meaning ‘in(to) sight’. In this context the important role of mediation of the artwork through language is being critically looked at.
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Stored only when both papers are in the corpus — 9 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
Imported from OpenAlex (CC0) — nothing here is generated.