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Coming Up Roses: The Broadway Musical in the 1950s
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Coming Up Roses: The Broadway Musical in the 1950s (1999)Coming Up Roses: The Broadway Musical in …The Coming of the Musical Play: Rodgers and Hammerstein (2017)The Coming of the Musical Pla…The Cambridge Companion to the Musical (2017)The Cambridge Companion to th…Stephen Sondheim and the Musical of the Outsider (2017)Stephen Sondheim and the Musi…New Horizons: The Musical at the Dawn of the Twenty-First Century (2017)New Horizons: The Musical at …American Musical Theatre before the Twentieth Century (2017)American Musical Theatre befo…‘We Said We Wouldn’t Look Back’: British Musical Theatre, 1935–1969 (2017)‘We Said We Wouldn’t Look Bac…‘Tonight I Will Bewitch the World’: The European Musical (2017)‘Tonight I Will Bewitch the W…Music in the Age of Anxiety: American Music in the Fifties (2016)Music in the Age of Anxiety: …“I'll Never Know Exactly Who Did What”: Broadway Composers as Musical Collaborators (2015)“I'll Never Know Exactly Who …Compiling West Side Story ’s Parahistories, 1949–2009 (2012)Compiling West Side Story ’s …“WE'LL ALWAYS BE BOSOM BUDDIES” (2006)“WE'LL ALWAYS BE BOSOM BUDDIE…A Cycle of Outrage: America's Reaction to the Juvenile Delinquent in the 1950s (1986)Dynamics Of Folklore (1996)Harvest of Empire: A History of Latinos in America (2000)“Queer for Uncle Sam”: Anita’s Latina diva citizenship in West Side Story (2014)“We Get the Job Done”: Immigrant Discourse and Mixtape Authenticity in The Hamilton Mixtape (2018)Making Things Perfectly Queer: Interpreting Mass Culture (1993)The queen's throat: opera, homosexuality, and the mystery of desire (1993)Musicking: The Meanings of Performing and Listening (2000)Lena Horne and Judy Garland: Divas, Desire, and Discipline in the Civil Rights Era (2014)Establishing Identity, Finding Community, and Embracing Fluidity (2016)The Broadway Musical: A Critical and Musical Survey (1992)Key terms in popular music and culture (2000)Authorship: From Plato to the Postmodern. A Reader (2006)Whose turn is it? Where Gypsy’s finale came from, and where it went (2019)Heavenly Bodies: Film Stars and Society (1987)Highbrow/Lowbrow (1988)Love and theft: blackface minstrelsy and the American working class (1994)Sexual Behavior in the Human Female (1954)Outsiders; studies in the sociology of deviance (1963)Subculture: The Meaning of Style (1995)Love and Theft: Blackface Minstrelsy and the American Working Class. (1994)МЮЗИКЛ ЯК ІНТОНАЦІЙНА ПРАКТИКА (2022)Domestic Melodrama (2018)Gothic Melodrama (2018)The Cambridge Companion to English Melodrama (2018)
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Cited by

  • 2017American Musical Theatre before the Twentieth Century25 cited
  • 2006“WE'LL ALWAYS BE BOSOM BUDDIES”15 cited
  • 2016Music in the Age of Anxiety: American Music in the Fifties10 cited
  • 2012Compiling West Side Story ’s Parahistories, 1949–200910 cited
  • 2017The Cambridge Companion to the Musical8 cited
  • 2015“I'll Never Know Exactly Who Did What”: Broadway Composers as Musical Collaborators5 cited
  • 2017The Coming of the Musical Play: Rodgers and Hammerstein3 cited
  • 2017New Horizons: The Musical at the Dawn of the Twenty-First Century3 cited
  • 2017‘We Said We Wouldn’t Look Back’: British Musical Theatre, 1935–19692 cited
  • 2017Stephen Sondheim and the Musical of the Outsider2 cited
  • 2017‘Tonight I Will Bewitch the World’: The European Musical2 cited

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