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I Have Seen the Future and It Is Not Here Yet …; or, On Being Ambitious for Audience Research
11 references·16 citing·29 second hop
I Have Seen the Future and It Is Not Here Yet …; or, On Being Ambitious for Audience Research (2006)I Have Seen the Future and It Is Not Here…The Crash Controversy: Censorship Campaigns and Film Reception (2001)The Crash Controversy: Censor…Perverse spectators: the practices of film reception (2001)Perverse spectators: the prac…Perverse Spectators: The Practices of Film Reception (2000)Perverse Spectators: The Prac…From Antz to Titanic: Reinventing Film Analysis (2000)From Antz to Titanic: Reinven…Audiences: A Sociological Theory of Performance and Imagination (1998)Audiences: A Sociological The…Cultural studies and communications (1996)Cultural studies and communic…Interpreting Films: Studies in the Historical Reception of American Cinema. (1993)Interpreting Films: Studies i…Interpreting Films (1992)Interpreting FilmsThe New Revisionism in Mass Communication Research: A Reappraisal (1990)The New Revisionism in Mass C…The Dominant Ideology Thesis (1982)The Dominant Ideology ThesisThe Dominant Ideology Thesis. (1981)The Dominant Ideology Thesis.Building new publics: using agile, community-engaged, and applied theatre methodologies as social intervention in audience research (2021)Building new publics: using a…Understanding Audiences: A Critical Review of Audience Research (2019)Understanding Audiences: A Cr…On Rigour in Theatre Audience Research (2019)On Rigour in Theatre Audience…Challenges of cultural industry knowledge exchange in live performance audience research (2019)Challenges of cultural indust…Film at the border: Memories of cinemagoing in Laredo, Texas (2017)Film at the border: Memories …Beyond Figures of the Audience (2016)Beyond Figures of the AudienceMaking Sense of the News in a Hybrid Regime: How Young Russians Decode State TV and an Oppositional Blog (2013)Making Sense of the News in a…Q Methodology in Audience Research: Bridging the Qualitative/Quantitative 'Divide'? (2011)Q Methodology in Audience Res…Bollyculture: Ethnography of identity, media and performance (2011)Bollyculture: Ethnography of …Anachronisms of Media, Anachronisms of Memory: From Collective Memory to a New Memory Ecology (2011)Anachronisms of Media, Anachr…The Performance of Cultural Citizenship: Audiences and the Politics of Multicultural Television Drama (2010)The Performance of Cultural C…The importance of popular media in everyday girl culture (2010)The importance of popular med…The BFG and the Spaghetti Book Club: A Case Study of Children as Critics (2010)The BFG and the Spaghetti Boo…Praktiken der produktiven Aneignung von Medien als Ressource spontaner Bildung (2010)Praktiken der produktiven Ane…Kinesthesia, Empathy, and Related Pleasures: An Inquiry into Audience Experiences of Watching Dance (2010)Kinesthesia, Empathy, and Rel…Modes of Reception: A Consolidated Analytical Framework (2007)Modes of Reception: A Consoli…Phenomenology of Perception (1982)Interpreting Qualitative Data Methods for Analysing Talk, Text and Interaction (1997)Of Meanings and Movements: Re-Languaging Embodiment in Dance Phenomenology and Cognition (2011)The experience of watching dance: phenomenological–neuroscience duets (2011)Motor Simulation without Motor Expertise: Enhanced Corticospinal Excitability in Visually Experienced Dance Spectators (2012)Distinction: A Social Critique of the Judgement of Taste* (2018)The History of Sexuality (1976)The postmodern condition (1994)Researching risk and the media (1999)`Keeping It Real' (2003)Approaching celebrity studies (2010)Folk Devils and Moral Panics (2011)New Audiences, New Textualities (2003)When the Game Is Not Enough: Motivations and Practices Among Computer Game Modding Culture (2010)Things Fall Apart: The Dynamics of Brand Audience Dissipation (2014)The Sources of Social Power (1986)Urban Regimes and the Capacity to Govern: A Political Economy Approach (1993)Political Ideology: Its Structure, Functions, and Elective Affinities (2008)Invisibility, homophobia and heterosexism: Lesbians, gays and the media (1993)National, transnational or supranational cinema? Rethinking European film studies (2005)New Cinema Histories (2011)Theorising media as practice (2004)Crash , theatre audiences, and the idea of ‘liveness’ (2003)RELOCATING AMERICAN FILM HISTORY (2006)Making meaning in AVT: eye tracking and viewer construction of narrative (2012)Audience research at the crossroads (1998)Masculinities, Performativity, and Subversion (2005)The celebritization of society and culture: Understanding the structural dynamics of celebrity culture (2012)Linguicism in Hollywood movies? Representations of, and audience reactions to multilingualism in mainstream movie dialogues (2012)
this work references cited by second hop

References

  • 1998Audiences: A Sociological Theory of Performance and Imagination843 cited
  • 1981The Dominant Ideology Thesis.475 cited
  • 1982The Dominant Ideology Thesis433 cited
  • 1992Interpreting Films340 cited
  • 1993Interpreting Films: Studies in the Historical Reception of American Cinema.248 cited
  • 1990The New Revisionism in Mass Communication Research: A Reappraisal209 cited
  • 2001Perverse spectators: the practices of film reception203 cited
  • 1996Cultural studies and communications188 cited
  • 2000Perverse Spectators: The Practices of Film Reception179 cited
  • 2001The Crash Controversy: Censorship Campaigns and Film Reception58 cited
  • 2000From Antz to Titanic: Reinventing Film Analysis42 cited

Cited by

  • 2010Kinesthesia, Empathy, and Related Pleasures: An Inquiry into Audience Experiences of Watching Dance202 cited
  • 2007Modes of Reception: A Consolidated Analytical Framework80 cited
  • 2011Q Methodology in Audience Research: Bridging the Qualitative/Quantitative 'Divide'?77 cited
  • 2011Anachronisms of Media, Anachronisms of Memory: From Collective Memory to a New Memory Ecology75 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

  • 2013Making Sense of the News in a Hybrid Regime: How Young Russians Decode State TV and an Oppositional Blog37 cited
  • 2019On Rigour in Theatre Audience Research32 cited
  • 2010The Performance of Cultural Citizenship: Audiences and the Politics of Multicultural Television Drama27 cited
  • 2010Praktiken der produktiven Aneignung von Medien als Ressource spontaner Bildung17 cited
  • 2010The BFG and the Spaghetti Book Club: A Case Study of Children as Critics17 cited
  • 2010The importance of popular media in everyday girl culture16 cited
  • 2019Challenges of cultural industry knowledge exchange in live performance audience research12 cited
  • 2016Beyond Figures of the Audience9 cited
  • 2021Building new publics: using agile, community-engaged, and applied theatre methodologies as social intervention in audience research9 cited
  • 2011Bollyculture: Ethnography of identity, media and performance8 cited
  • 2017Film at the border: Memories of cinemagoing in Laredo, Texas8 cited
  • 2019Understanding Audiences: A Critical Review of Audience Research7 cited