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Audiovisual integration of emotional signals from music improvisation does not depend on temporal correspondence
16 references·2 citing·33 second hop
Audiovisual integration of emotional signals from music improvisation does not depend on temporal correspondence (2010)Audiovisual integration of emotional sign…Multisensory integration of drumming actions: musical expertise affects perceived audiovisual asynchrony (2009)Multisensory integration of d…Audio-visual integration of emotional cues in song (2008)Audio-visual integration of e…Audio-visual integration of emotion expression (2008)Audio-visual integration of e…Integrating face and voice in person perception (2007)Integrating face and voice in…Evaluating the influence of the ‘unity assumption’ on the temporal perception of realistic audiovisual stimuli (2007)Evaluating the influence of t…Crossmodal binding: Evaluating the “unity assumption” using audiovisual speech stimuli (2007)Crossmodal binding: Evaluatin…Audiovisual integration of emotional signals in voice and face: An event-related fMRI study (2007)Audiovisual integration of em…Perceptual synchrony of audiovisual streams for natural and artificial motion sequences (2006)Perceptual synchrony of audio…Audiovisual synchrony perception for music, speech, and object actions (2006)Audiovisual synchrony percept…Cross-modal interactions in the perception of musical performance (2005)Cross-modal interactions in t…Merging the senses into a robust percept (2004)Merging the senses into a rob…Crossmodal Space and Crossmodal Attention (2004)Crossmodal Space and Crossmod…Humans integrate visual and haptic information in a statistically optimal fashion (2002)Humans integrate visual and h…The perception of emotions by ear and by eye (2000)The perception of emotions by…The merging of the senses (1994)The merging of the sensesHearing lips and seeing voices (1976)Hearing lips and seeing voicesAudiovisual integration of emotional signals from others' social interactions (2015)Audiovisual integration of em…Context-specific effects of musical expertise on audiovisual integration (2014)Context-specific effects of m…Vision and Touch: An Experimentally Created Conflict between the Two Senses (1964)Immediate perceptual response to intersensory discrepancy. (1980)Integration of Proprioceptive and Visual Position-Information: An Experimentally Supported Model (1999)Is neocortex essentially multisensory? (2006)A dynamic interactive theory of person construal. (2011)Bridging the Gap between Social Animal and Unsocial Machine: A Survey of Social Signal Processing (2011)The Role of Selected Stimulus-Variables in the Perception of the Unvoiced Stop Consonants (1952)Auditory and Visual Contributions to the Perception of Consonants (1974)The motor theory of speech perception revised (1985)Foundations of Language (2002)The Faculty of Language: What Is It, Who Has It, and How Did It Evolve? (2002)An argument for basic emotions (1992)Hand and mind: what gestures reveal about thought (1993)The Musical Significance of Clarinetists' Ancillary Gestures: An Exploration of the Field (2005)When the Eye Listens: A Meta-analysis of How Audio-visual Presentation Enhances the Appreciation of Music Performance (2012)Emotional Responses to Multisensory Environmental Stimuli (2016)The Ventriloquist Effect Results from Near-Optimal Bimodal Integration (2004)Origins of Objectivity (2010)Auditory-Visual Integration during Multimodal Object Recognition in Humans: A Behavioral and Electrophysiological Study (1999)Evidence from functional magnetic resonance imaging of crossmodal binding in the human heteromodal cortex (2000)Integration of Auditory and Visual Information about Objects in Superior Temporal Sulcus (2004)Semantics and the multisensory brain: How meaning modulates processes of audio-visual integration (2008)Perceiving social interactions in the posterior superior temporal sulcus (2017)Multimodal Integration of Emotional Signals from Voice, Body, and Context: Effects of (In)Congruence on Emotion Recognition and Attitudes Towards Robots (2019)The Modularity of Mind (1983)Describing the emotional states that are expressed in speech (2003)Multisensory integration: current issues from the perspective of the single neuron (2008)Multisensory Interplay Reveals Crossmodal Influences on ‘Sensory-Specific’ Brain Regions, Neural Responses, and Judgments (2008)Crossmodal correspondences: A tutorial review (2011)Benefits of multisensory learning (2008)In the eye of the beholder? Universality and cultural specificity in the expression and perception of emotion (2011)Understanding Voice Perception (2011)LSTM-Modeling of continuous emotions in an audiovisual affect recognition framework (2012)
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References

  • 1976Hearing lips and seeing voices6,183 cited
  • 2002Humans integrate visual and haptic information in a statistically optimal fashion4,840 cited
  • 2004Merging the senses into a robust percept1,904 cited
  • 1994The merging of the senses1,897 cited
  • 2004Crossmodal Space and Crossmodal Attention797 cited
  • 2000The perception of emotions by ear and by eye629 cited
  • 2007Integrating face and voice in person perception529 cited
  • 2008Audio-visual integration of emotion expression353 cited
  • 2005Cross-modal interactions in the perception of musical performance306 cited
  • 2007Audiovisual integration of emotional signals in voice and face: An event-related fMRI study303 cited
  • 2007Crossmodal binding: Evaluating the “unity assumption” using audiovisual speech stimuli298 cited
  • 2006Audiovisual synchrony perception for music, speech, and object actions173 cited
  • 2008Audio-visual integration of emotional cues in song127 cited
  • 2007Evaluating the influence of the ‘unity assumption’ on the temporal perception of realistic audiovisual stimuli124 cited
  • 2006Perceptual synchrony of audiovisual streams for natural and artificial motion sequences110 cited

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  • 2009Multisensory integration of drumming actions: musical expertise affects perceived audiovisual asynchrony107 cited
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    • 2015Audiovisual integration of emotional signals from others' social interactions33 cited
    • 2014Context-specific effects of musical expertise on audiovisual integration31 cited