Contesting the Hero: The Funeral of Admiral Lord Nelson

Abstract

In the days before Christmas 1805, William Thomas Fitzgerald's Nelson's Tomb; a Poem made its appearance in London book shops. Fitzgerald was one of the foremost loyalist versifiers of his day—and had previously published an ode to Nelson after the Battle of the Nile. When he took pen in hand, Britain was mourning Nelson's recent death at Trafalgar. Nelson's Tomb then, considered the manner in which Britons would mark his passing. Nelson's funeral would be, Fitzgerald boasted, “no hireling pageant.” Fitzgerald's words conveyed the contemporary loyalist sense that the funeral for Lord Nelson would be genuine, ordered, harmonious, and widely acceptable—that it would avoid the accusations of artificiality and the expressions of dissent that had greeted previous patriotic pageants such as the Naval Thanksgiving of 1797. At first glance, Fitzgerald's expectation would seem to accord with the recent orthodoxy concerning state spectacle in Britain during the wars of 1793–1815, an orthodoxy holding not only that the public pageants of the period were an important manifestation of the particular brand of patriotism that loyalists were interested in marketing but also that the product itself had unifying and socially cohesive effects. But Nelson's funeral—which was held on 9 January 1806 and drew crowds of between twenty and thirty thousand people—has not been widely treated as a loyalist spectacle, largely because those who have considered it have joined Linda Colley in recognizing its apparently iconoclastic nature. Colley was attentive to the state pageants of the period; they featured in her argument for the privileging of a cult of monarchy in officially consecrated expressions of British nationalism.

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