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Popping the question: the function and effect of popular music in cinema
8 references·2 citing·30 second hop
Popping the question: the function and effect of popular music in cinema (1999)Popping the question: the function and ef…Celluloid jukebox : popular music and movies since the 50s (1995)Celluloid jukebox : popular m…Structural relationships of music and images in music video (1994)Structural relationships of m…Overtones and Undertones: Reading Film Music (1994)Overtones and Undertones: Rea…Overtones and Undertones (1994)Overtones and UndertonesMusic for Pleasure (1994)Music for PleasureUnheard melodies: narrative film music (1988)Unheard melodies: narrative f…Major Film Theories: An Introduction (1977)Major Film Theories: An Intro…The Major Film Theories: An Introduction (1976)The Major Film Theories: An I…Analysis of the Role of Music in Film Narrative (2019)Analysis of the Role of Music…From Cautionary Chart-Topper to Friendly Beverage Anthem: Michael Jackson's “Billie Jean” and Pepsi's “Choice of a New Generation” Television Campaign (2015)From Cautionary Chart-Topper …Image-Music-Text (1977)Story and Discourse: Narrative Structure in Fiction and Film (1979)Music Video Transformed (2013)Musical Pathfinding; or How to Listen to Interactive Music Video (2019)Violence, Sexuality and Youth Linguistic Behaviour: An Exploration of Contemporary Nigerian Youth Music (2020)Decoding Advertisements: Ideology and Meaning in Advertising (1978)Media Culture: Cultural Studies, Identity and Politics between the Modern and the Postmodern (1996)Studying the Study of Television Music and Sound (2019)The Musicalization of Fiction.A Study in the Theory and History of Intermediality. (1999)A Pop Music Progression in Recent Popular Movies and Movie Trailers (2014)Anthropology and Mass Media (1993)Branded Spaces (2003)Accounting and popular culture: framing a research agenda (2012)Theoretical Concepts of Film Studies in Cinema Art Journal: 1945–1955 (2022)Theoretical Concepts of Film Studies in Cinema Art Journal: 1956–1968 (2022)Theoretical Concepts of Film Studies in the Cinema Art Journal in the First Decade (1931–1941) of Its Existence (2022)Organizational Learning under Organizational Impermanence: Collaborative Ties in Film Project Firms (2005)Is music becoming more visual? Online video content in the music industry (2011)Musical Witness and Holocaust Representation (2015)Is Funny Music Funny? Contexts and Case Studies of Film Music Humor (2002)The Harpist in the Closet: Film Music as Epistemological Joke (2009)False intimacy: close-ups and viewer involvement in wildlife films1 (2003)Parsing the Resource Pie: Using STRTs to Measure Attention to Mediated Messages (2006)Semiotics, Pragmatics, and Metaphor in Film Music Analysis (2006)Popular Songs and Comic Allusion in Contemporary Cinema (2001)The Girl and the Phonograph; or the Vamp and the Machine Revisited (2001)The Cambridge Companion to Film Music (2016)Audio-vision: sound on screen (1994)Theorizing Musical Meaning (2001)The Non-diegetic Fallacy: Film, Music, and Narrative Space (2010)
this work references cited by second hop

References

  • 1988Unheard melodies: narrative film music1,038 cited
  • 1994Overtones and Undertones228 cited
  • 1994Overtones and Undertones: Reading Film Music156 cited
  • 1977Major Film Theories: An Introduction149 cited
  • 1976The Major Film Theories: An Introduction99 cited
  • 1995Celluloid jukebox : popular music and movies since the 50s87 cited
  • 1994Music for Pleasure86 cited
  • 1994Structural relationships of music and images in music video55 cited

Cited by

  • 2015From Cautionary Chart-Topper to Friendly Beverage Anthem: Michael Jackson's “Billie Jean” and Pepsi's “Choice of a New Generation” Television Campaign18 cited
  • 2019Analysis of the Role of Music in Film Narrative2 cited

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