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I A study of seventeenth-century English poems about portraits is elusive and at first rather tantalizing: while reference to a portrait occurs frequently, it is most often primarily a literary device - only rarely is it more than tenuously related to a particular and identifiable work of art. Yet despite this, such a study may provide some illuminating insights into the writers' attitudes towards the visual arts, and their changing expectations as regards portraiture.
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Stored only when both papers are in the corpus — 5 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
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