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Oral, Written, and Literate Process in the Transmission of Medieval Music
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Oral, Written, and Literate Process in the Transmission of Medieval Music (1981)Oral, Written, and Literate Process in th…Creolization in Anthropological Theory and in Mauritius (2016)Creolization in Anthropologic…Writing the History of "Ottoman Music" (2015)Writing the History of "Ottom…The Musical World of a Medieval Monk: Adémar de Chabannes in Eleventh-century Aquitaine (2006)The Musical World of a Mediev…Orality, Literacy, and the Early Notation of the Office Hymns (2003)Orality, Literacy, and the Ea…Music and writing: On the compilation of Paris Bibliothèque Nationale lat. 1154 (1997)Music and writing: On the com…Music Anthropologies and Music Histories: A Preface and an Agenda (1995)Music Anthropologies and Musi…Die Motetten der Madrider Notre-Dame-Handschrift (1994)Die Motetten der Madrider Not…"Oh! Susanna": Oral Transmission and Tune Transformation (1994)"Oh! Susanna": Oral Transmiss…The "Unwritten" and "Written Transmission" of Medieval Chant and the Start-Up of Musical Notation (1992)The "Unwritten" and "Written …Scribal Practices in the Aquitanian Versaria of the Twelfth Century: Towards a Typology of Error and Variant (1992)Scribal Practices in the Aqui…Visions with Voices: The Rhetoric of Memory and Music in Liturgical Drama (1990)Visions with Voices: The Rhet…On Gregorian Orality (1990)On Gregorian OralityThe Stemma of the Aquitanian Versaria (1988)The Stemma of the Aquitanian …"Benedicamus Domino": The Unwritten Tradition (1988)"Benedicamus Domino": The Unw…Charlemagne's Archetype of Gregorian Chant (1987)Charlemagne's Archetype of Gr…HÖREN – LESEN – SEHEN. Buch und Schriftlichkeit im Selbstverständnis der volkssprachlichen literarischen Kultur Deutschlands um 1200 (1984)HÖREN – LESEN – SEHEN. Buch u…Dan Emmett and the Rise of Early Negro Minstrelsy (1963)Studies in Musicology 1935–1975 (1977)Love and Theft: Blackface Minstrelsy and the American Working Class. (1996)Nineteenth-century popular music (1998)Social dimensions of melodic identity, cognition, and association (2007)Hoboes, Rubbish, and "The Big Rock Candy Mountain" (2013)The New Grove Dictionary of Music and Musicians (1981)Die Musik in Geschichte und Gegenwart (1989)Abbot Helisachar's Antiphoner (1995)The New Grove dictionary of music and musicians (2001)The Frankish Church and the Carolingian Reforms, 789-895 (1978)Boethius. His Life, Thought and Influence (1983)The Carolingians and the Written Word (1989)Music notation in Archivio San Pietro C 105 and in the Farfa Breviary, Chigi C.VI.177 (1999)The sources and significance of the Orpheus myth inMusica Enchiriadisand Regino of Prüm'sEpistola de harmonica institutione (1999)Orality and Literacy (1982)Notes, scales, and modes in the earlier Middle Ages (2002)Orality and Literacy (2003)Rethinking music's status as adaptation versus technology: a niche construction perspective (2016)From memory to written record: England 1066–1307 (1994)Rethinking the Orality-Literacy Paradigm in Musicology (2010)From Neumes to Notes: The Evolution of Music Notation (2013)A medieval patchwork song: poetry, prayer and music in a thirteenth-century conductus (2016)Medieval Manuscripts In British Libraries (1969)Medieval manuscripts for mass and office: A guide to their organization and terminology (1982)FIRE, FOLIAGE AND FURY: VESTIGES OF MIDSUMMER RITUAL IN MOTETS FOR JOHN THE BAPTIST (2011)The Earliest Source of Notre-Dame Polyphony? A New Conductus Fragment from the Early Thirteenth Century (2016)Glossarium mediæ et infimæ latinitatis (1883)Mediae latinitatis lexicon minus (1976)Oxford Latin Dictionary (1984)Evidence for the Traditional View of the Transmission of Gregorian Chant (1987)Psalmos, notas, cantus: On the Meanings ofnotain the Carolingian Period (2015)On the Origin of Species by Means of Natural Selection (1953)Writing Culture: The Poetics and Politics of Ethnography (1986)Cosmopolitans and Locals in World Culture (1990)Cultural additivity: behavioural insights from the interaction of Confucianism, Buddhism and Taoism in folktales (2018)Conviviality at the Crossroads (2019)Joola Keeraak (2024)The Emergence of Modern Turkey (1969)The Venture of Islam: Conscience and History in a World Civilization (1976)“Orientalism - Western Conceptions of the Orient” (2012)Discant, Counterpoint, and Harmony (1962)Lebensformen im Mittelalter (1973)"Herbst des Mittelalters"? (2004)Polyphony in Medieval Paris (2018)
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  • 2016Creolization in Anthropological Theory and in Mauritius81 cited
  • 1992The "Unwritten" and "Written Transmission" of Medieval Chant and the Start-Up of Musical Notation58 cited
  • 1987Charlemagne's Archetype of Gregorian Chant42 cited
  • 1988"Benedicamus Domino": The Unwritten Tradition36 cited
  • 2003Orality, Literacy, and the Early Notation of the Office Hymns25 cited
  • 1990On Gregorian Orality17 cited
  • 1994Die Motetten der Madrider Notre-Dame-Handschrift14 cited
  • 2015Writing the History of "Ottoman Music"13 cited
  • 1997Music and writing: On the compilation of Paris Bibliothèque Nationale lat. 115413 cited
  • 1994"Oh! Susanna": Oral Transmission and Tune Transformation12 cited
  • 1992Scribal Practices in the Aquitanian Versaria of the Twelfth Century: Towards a Typology of Error and Variant10 cited
  • 1984HÖREN – LESEN – SEHEN. Buch und Schriftlichkeit im Selbstverständnis der volkssprachlichen literarischen Kultur Deutschlands um 12009 cited
  • 1995Music Anthropologies and Music Histories: A Preface and an Agenda9 cited
  • 1988The Stemma of the Aquitanian Versaria9 cited
  • 1990

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Visions with Voices: The Rhetoric of Memory and Music in Liturgical Drama
8 cited
  • 2006The Musical World of a Medieval Monk: Adémar de Chabannes in Eleventh-century Aquitaine8 cited