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Music Theory in Concept and Practice
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  • 2014Harmony and Voice Leading in the Music of Stravinsky22 cited
  • 2007Work Structure and Musical Representation: Reflections on Adorno's Analyses for Interpretation119 cited
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  • 2018Subjects and Phrase Boundaries in Two Keyboard Fugues by J. S. Bach17 cited
  • 2019Schoenberg's Atonal Music17 cited
  • 2004Tales of Two Tonics: Directional Tonality in Debussy's Orchestral Music17 cited
  • 2015Schoenberg's Chordal Experimentalism Revealed through Representational Hierarchy Association (RHA), Contour Motives, and Binary State Switching16 cited
  • 2009Mathematics and the Twelve-Tone System: Past, Present, and Future11 cited
  • 2009Zygonic Theory: Introduction, Scope, and Prospects9 cited
  • 2010‘A S cience of T onal L ove ’? D rive and D esire in T wentieth ‐C entury H armony : the E rotics of S kryabin8 cited
  • 2001

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Styles and languages around the turn of the century
6 cited
  • 2015Bartók's Polymodality5 cited