IN THE FOOTSTEPS OF BACH'S ST. MATTHEW PASSION: THE PASSION SETTINGS OF DAVID LANG AND JAMES MACMILLAN

Abstract

Abstract In 2007, two high-profile musical responses to the Christian Passion narrative were written: the little match girl passion, by American composer David Lang, and Scottish composer James MacMillan's St John Passion. A devout Catholic, MacMillan's faith has influenced almost every work he has written to date, and a passion setting therefore seemed inevitable. Lang, on the other hand, has Jewish roots, and is relatively secular in his choice of extra-musical themes in his works: even when using sacred texts, he usually sets them in a secular context. Unsurprisingly, MacMillan's and Lang's contrasting approaches towards the Christian Passion resulted in fundamentally different works, yet both composers cite Bach as a key inspiration in their settings. This study examines the extent to which the influence of Bach's St Matthew Passion, in particular, is present in this pair of 21st-century passions, with regard to both their music and their theology.

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