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Gendering bodies/performing art: dance and literature in early twentieth-century British culture
0 references·16 citing·36 second hop
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  • 2020Choreography Invisible48 cited
  • 2012Lesbian Scandal and the Culture of Modernism40 cited
  • 2006Recovering hurston, reconsidering the choreographer26 cited
  • 2005Representing the belly-dancing body: feminism, orientalism, and the grotesque21 cited
  • 2017Men of dance: negotiating gender and sexuality in dance institutions20 cited
  • 2009“At the still point”: T. S. Eliot, Dance, and Modernism18 cited
  • 2005‘How does she do that?’ Belly Dancing and the Horror of a Flexible Woman15 cited
  • 2011White Womanhood, Property Rights, and the Campaign for Choreographic Copyright: Loïe Fuller's Serpentine Dance15 cited
  • 2011From training to artisanal practice: rethinking choreographic relationships in modern dance13 cited
  • 2008Notes on Choreography12 cited
  • 2011"Must we dance naked?": art, beauty, and law in Munich and Paris, 1911-1913.8 cited
  • 2016The Economy of Shame or Why Dance Cannot Fail6 cited
  • 2005London, 1908: A Synchronic View of Dance History6 cited
  • 2003O corpo perigoso5 cited
  • 2006Performing obscene modernism: Theatrical censorship and the making of modern drama

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5 cited
  • 2013Diva Rivalry for Fun and Profit: An Examination of Diva [Mis-]Conceptions via the Rivalry of Maria Callas and Renata Tebaldi2 cited