SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Locating MIA: ‘Race’, commodification and the politics of production
16 references·6 citing·36 second hop
Locating MIA: ‘Race’, commodification and the politics of production (2012)Locating MIA: ‘Race’, commodification and…Globalization as Hybridization (2018)Globalization as HybridizationThe Location of Culture (2012)The Location of CultureThe Political Economy of Communication (2009)The Political Economy of Comm…Stuart Hall: Critical Dialogues in Cultural Studies (2006)Stuart Hall: Critical Dialogu…Media and Cultural Studies: Key Works (2001)Media and Cultural Studies: K…Western music and its others : difference, representation, and appropriation in music (2000)Western music and its others …Dis-orienting rhythms: the politics of the new Asian dance music (1997)Dis-orienting rhythms: the po…Club Cultures: Music, Media and Subcultural Capital (1997)Club Cultures: Music, Media a…Club cultures: music, media and subcultural capital (1996)Club cultures: music, media a…Globalization as Hybridization (1995)Globalization as Hybridization2. The New Cultural Politics Of Difference (1994)2. The New Cultural Politics …The black Atlantic (1993)The black AtlanticProducing Pop: Culture and Conflict in the Popular Music Industry (1992)Producing Pop: Culture and Co…The New Cultural Politics of Difference (1990)The New Cultural Politics of …Capitalism and communication : global culture and the economics of information (1990)Capitalism and communication …Contribution to a political economy of mass-communication (1979)Contribution to a political e…Responding to misrepresentation: sample pack creation, branding and distribution (2024)Responding to misrepresentati…Watching me watching you: Black women in Britain on YouTube (2017)Watching me watching you: Bla…Glocal riddim: cultural production and territorial identity in Caribbean music videos (2017)Glocal riddim: cultural produ…Moving Sounds, Controlled Borders (2016)Moving Sounds, Controlled Bor…Hip hop feminism in Sweden: Intersectionality, feminist critique and female masculinity (2014)Hip hop feminism in Sweden: I…‘ Curry Tales ’: The production of ‘race’ and ethnicity in the cultural industries (2013)‘ Curry Tales ’: The producti…Marxism and the philosophy of language (1973)The Postmodern Condition: A Report on Knowledge (1984)Feminist practice and poststructuralist theory (1988)It's All In the Family: Intersections of Gender, Race, and Nation (1998)Rethinking Critical Theory and Qualitative Research (2011)Intersectionality's Definitional Dilemmas (2015)The consequences of modernity (1990)Can Consumers Escape the Market? Emancipatory Illuminations from Burning Man (2002)The Forms of Capital (2002)Consumer Culture Theory (CCT): Twenty Years of Research (2005)Where Consumers Diverge from Others: Identity Signaling and Product Domains (2007)Distinction: A Social Critique of the Judgement of Taste* (2018)Rethinking authenticity in tourism experience (1999)Discourse Analysis as Theory and Method (2002)The New Mobilities Paradigm (2006)Value in Informational Capitalism and on the Internet (2012)Conceptualizing the carceral in carceral geography (2017)Showing They Care (Or Don’t): Affective Publics and Ambivalent Climate Activism on TikTok (2021)The Cultural Industries Production System: A Case Study of Employment Change in Britain, 1984–91 (1997)The Diminishing Publicness of Public Service under the Current Mode of Governance (2001)A CRITIQUE OF DEFINITIONS OF THE CULTURAL AND CREATIVE INDUSTRIES IN PUBLIC POLICY (2007)EVALUATING ‘DIASPORA’: BEYOND ETHNICITY? (1998)Performance Studies: Interventions and Radical Research (2002)Where do I belong? (2002)Rethinking Globalization: Glocalization/Grobalization and Something/Nothing (2003)Self, Identity, and Globalization in Times of Uncertainty: A Dialogical Analysis (2007)Spirituality: The Emergence of a New Cultural Category and its Challenge to the Religious and the Secular (2014)SUBCULTURES OR NEO‐TRIBES? RETHINKING THE RELATIONSHIP BETWEEN YOUTH, STYLE AND MUSICAL TASTE (1999)Signals in Social Supernets (2007)The commons: Infrastructures for troubling times* (2016)Music and the Global Order (2004)Subcultures, Scenes or Tribes? None of the Above (2005)Transnational Migration Studies: Past Developments and Future Trends (2007)Thinking Dialectically About Culture and Communication (1999)A New Algorithmic Identity (2011)Political communication in a high-choice media environment: a challenge for democracy? (2017)
this work references cited by second hop

References

  • 2012The Location of Culture17,820 cited
  • 2006Stuart Hall: Critical Dialogues in Cultural Studies3,395 cited
  • 1996Club cultures: music, media and subcultural capital1,941 cited
  • 1997Club Cultures: Music, Media and Subcultural Capital1,504 cited
  • 2009The Political Economy of Communication1,409 cited
  • 2001Media and Cultural Studies: Key Works1,035 cited
  • 1995Globalization as Hybridization605 cited
  • 2000Western music and its others : difference, representation, and appropriation in music559 cited
  • 1990Capitalism and communication : global culture and the economics of information552 cited
  • 1993The black Atlantic550 cited
  • 2018Globalization as Hybridization509 cited
  • 1992Producing Pop: Culture and Conflict in the Popular Music Industry416 cited
  • 19942. The New Cultural Politics Of Difference395 cited
  • 1997Dis-orienting rhythms: the politics of the new Asian dance music310 cited
  • 1979Contribution to a political economy of mass-communication275 cited
  • 1990The New Cultural Politics of Difference181 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

Cited by

  • 2017Watching me watching you: Black women in Britain on YouTube43 cited
  • 2013‘ Curry Tales ’: The production of ‘race’ and ethnicity in the cultural industries20 cited
  • 2014Hip hop feminism in Sweden: Intersectionality, feminist critique and female masculinity15 cited
  • 2024Responding to misrepresentation: sample pack creation, branding and distribution10 cited
  • 2016Moving Sounds, Controlled Borders8 cited
  • 2017Glocal riddim: cultural production and territorial identity in Caribbean music videos4 cited