SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Adventures of Portuguese ‘Ancient Music’ In Oxford, London, and Paris: Duarte Lobo’s ‘Liber Missarum’ and Musical Antiquarianism, 1650–1850
15 references·0 citing·27 second hop
Adventures of Portuguese ‘Ancient Music’ In Oxford, London, and Paris: Duarte Lobo’s ‘Liber Missarum’ and Musical Antiquarianism, 1650–1850 (2005)Adventures of Portuguese ‘Ancient Music’ …A General History of the Science and Practice of Music (2011)A General History of the Scie…Catalogue of Manuscript Music in the British Museum (2007)Catalogue of Manuscript Music…Publishing Music from the Fitzwilliam Museum, Cambridge: The Work of Vincent Novello and Samuel Wesley in the 1820s (2005)Publishing Music from the Fit…Samuel Wesley: The Man and his Music (2003)Samuel Wesley: The Man and hi…Musicians in the Catholic chapel of Catherine of Braganza, 1662–92 (2001)Musicians in the Catholic cha…Musical Patronage in Seventeenth-Century England: Christopher, First Baron Hatton (1605-1670) (1999)Musical Patronage in Seventee…La música en la Catedral de Granada en la primera mitad del siglo XVII: Diego de Pontac (1994)La música en la Catedral de G…The rise of musical classics in eighteenth-century England: a study in canon, ritual, and ideology (1993)The rise of musical classics …Recollections of R. J. S. Stevens: An Organist in Georgian London (1992)Recollections of R. J. S. Ste…‘OUTSTANDING DISSERTATIONS IN MUSIC FROM BRITISH UNIVERSITIES’ (1991)‘OUTSTANDING DISSERTATIONS IN…How Information Spread Among the Gentry, 1550-1640 (1982)How Information Spread Among …‘ANCIENT’ MUSIC IN EIGHTEENTH-CENTURY ENGLAND (1979)‘ANCIENT’ MUSIC IN EIGHTEENTH…Renaissance and Baroque Musical Sources in the Americas (1974)Renaissance and Baroque Music…Neues historisch-biographisches Lexikon der Tonkünstler (1812-1814) (1966)Neues historisch-biographisch…Dictionary of Musicians (1934)Dictionary of MusiciansThe Letters of John Chamberlain (1941)Astrology and the popular press: English almanacs, 1500-1800 (1979)Literacy and the Social Order (1980)Women on top in the pamphlet literature of the English revolution (1994)The itch grown a disease: Manuscript transmission of news in the seventeenth century (1998)Joseph Mead, Novellante: News, Sociability, and Credibility in Early Stuart England (2006)The Rise of Ethnomusicology: Sources on Indian Music c.1780 - c.1890 (1988)Biblical scholarship and literary criticism (1997)The Cambridge History of Literary Criticism (1997)Byrd's Motets: Chronology and Canon (1961)British Museum Add. Mss. 17802–5 (The Gyffard Part-Books): An Index and Commentary (1969)Notre Dame'S new clothes (2014)Anglo-Saxon England (2006)The Cambridge History of Libraries in Britain and Ireland (2006)The medieval library (toc. 1450) (2006)The Eighteenth-Century Origins of the Musical Canon (1989)Critiquing the Canon: The Role of Criticism in Canon Formation (2019)Stop the Press? The Changing Media of Music Criticism (2019)How German Is It? Nationalism and the Idea of Serious Music in the Early Nineteenth Century (1998)Theories of genre (2000)Middle-Status Conformity Revisited: The Interplay between Achieved and Ascribed Status (2018)The engraving of J.S. Bach'sSix Partitas∗ (1986)“Die Ochsen am Berge”: Franz Xaver Süssmayr and the Orchestration of Mozart's Requiem, K. 626 (2008)The Requiem of Tomás Luis de Victoria (1603) (2019)Music in the Early Colonial World (2019)The Cambridge History of Sixteenth-Century Music (2019)Encounters with Music in Rudolf II's Prague (2021)
this work references cited by second hop

References

  • 2011A General History of the Science and Practice of Music178 cited
  • 1993The rise of musical classics in eighteenth-century England: a study in canon, ritual, and ideology129 cited
  • 1982How Information Spread Among the Gentry, 1550-164083 cited
  • 1974Renaissance and Baroque Musical Sources in the Americas53 cited
  • 1999Musical Patronage in Seventeenth-Century England: Christopher, First Baron Hatton (1605-1670)50 cited
  • 1979‘ANCIENT’ MUSIC IN EIGHTEENTH-CENTURY ENGLAND46 cited
  • 1966Neues historisch-biographisches Lexikon der Tonkünstler (1812-1814)31 cited
  • 2007Catalogue of Manuscript Music in the British Museum22 cited
  • 1991‘OUTSTANDING DISSERTATIONS IN MUSIC FROM BRITISH UNIVERSITIES’7 cited
  • 1934Dictionary of Musicians5 cited
  • 1992Recollections of R. J. S. Stevens: An Organist in Georgian London5 cited
  • 2003Samuel Wesley: The Man and his Music5 cited
  • 2001Musicians in the Catholic chapel of Catherine of Braganza, 1662–925 cited
  • 2005Publishing Music from the Fitzwilliam Museum, Cambridge: The Work of Vincent Novello and Samuel Wesley in the 1820s4 cited
  • 1994La música en la Catedral de Granada en la primera mitad del siglo XVII: Diego de Pontac

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

3 cited

Cited by

No citing works inside the corpus for this window.