Creativity as mediated action: A comparison of improvisational performance and product creativity

Abstract

This paper elaborates the notion of mediated action through a comparison of group improvisational performance and the product‐oriented creative domains studied by psychology. Semiotically mediated interaction is central to both forms of creativity: in group improvisation, the interaction is parallel and simultaneous, communication between performers is mediated by musical or verbal symbolic structures, and is thus synchronies in product‐oriented creative domains, interaction between creating individuals is mediated by ostensible products in the domain, the interaction is over long time spans, and thus is historical or diachronic. After presenting a model of mediated action, six interactional dimensions of contrast are described which are characteristic of both synchronic and diachronic creative interaction. By demonstrating these processual parallels between synchronic and diachronic creativity, the model suggests that the study of performance has several implications for the broader study of creativity. The focus on processes of symbolic interaction represents an application of the mediated action concept to both product creativity and improvisational performance.

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