SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
An Archer from the Palace of Nestor: A New Wall-Painting Fragment in the Chora Museum
3 references·6 citing·33 second hop
An Archer from the Palace of Nestor: A New Wall-Painting Fragment in the Chora Museum (2008)An Archer from the Palace of Nestor: A Ne…Bronze Age painted plaster in Mycenaean Greece: a pilot study on the testing and application of micro‐Raman spectroscopy (2004)Bronze Age painted plaster in…Gas chromatography/mass spectrometry for the characterization of organic materials in frescoes of the Momumental Cemetery of Pisa (Italy) (2003)Gas chromatography/mass spect…Scientific Analyses of Minoan Fresco Samples from Knossos (1977)Scientific Analyses of Minoan…Characterization of art materials and degradation processes in the exterior wall paintings of the main church of Rila Monastery, Bulgaria (2023)Characterization of art mater…An Insight into Gandharan Art: Materials and Techniques of Polychrome Decoration (2022)An Insight into Gandharan Art…Macroscopic XRF imaging in unravelling polychromy on Mycenaean wall-paintings from the Palace of Nestor at Pylos (2019)Macroscopic XRF imaging in un…Evolved Gas Analysis‐Mass Spectrometry to Identify the Earliest Organic Binder in Aegean Style Wall Paintings (2018)Evolved Gas Analysis‐Mass Spe…Evolved Gas Analysis‐Mass Spectrometry to Identify the Earliest Organic Binder in Aegean Style Wall Paintings (2018)Evolved Gas Analysis‐Mass Spe…Effect of NaCl on the fabrication of the Egyptian blue pigment (2017)Effect of NaCl on the fabrica…Aegean painting in the Bronze Age (1990)Prehistoric Textiles (1991)Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art (2000)Analysis of pigments and coverings by X-ray diffraction (XRD) and micro Raman spectroscopy (MRS) in the cemetery of Tutugi (Galera, Granada, Spain) and the settlement convento 2 (Montemayor, Córdoba, Spain) (2006)Identification of pigments in the Annunciation sculptural group (Cordoba, Spain) by micro-Raman spectroscopy (2019)The fresco wall painting techniques in the Mediterranean area from Antiquity to the present: A review (2023)The Analysis of Synthetic Paints by Pyrolysis-Gas Chromatography-Mass Spectrometry (PyGCMS) (2001)Characterisation of wall paintings in the Sos Furrighesos necropolis (Anela, Italy) (2002)Molecular Pattern Recognition of Fresh and Aged Shellac (2003)Analysis of organic colouring and binding components in colour layer of art works (2005)Towards proteomic analysis of milk proteins in historical building materials (2009)Characterization of organic media in the wall-paintings of the “Palace of Nestor” at Pylos, Greece: evidence for a secco painting techniques in the Bronze Age (2012)Ancient Egyptian Materials and Industries (1935)Excavations in the Neolithic Settlement of Knossos, 1957–60. Part I (1964)Technical Studies in the Field of the Fine Arts (1977)Lapis Lazuli in an Enigmatic ‘Purple7rsquo; Pigment from a Thirteenth-Century BC Greek Wall Painting (2006)Painted plaster from Bronze Age Thebes, Boeotia (Greece): a technological study (2008)Ancient Egyptian Materials and Industries (1948)Ancient Egyptian Materials and Industries (1963)Ancient Egyptian materials and technology (2000)Practical application of visible-induced luminescence and use of parasitic IR reflectance as relative spatial reference in Egyptian artifacts (2019)The Oxford Handbook of the Bronze Age Aegean (2010)Studying pigments on painted plaster in Minoan, Roman and Early Byzantine Crete. A multi-analytical technique approach (2011)Analytical pyrolysis of proteins in samples from artistic and archaeological objects (2017)The spatially resolved characterisation of Egyptian blue, Han blue and Han purple by photo-induced luminescence digital imaging (2009)Real-time elemental imaging of large dimension paintings with a novel mobile macro X-ray fluorescence (MA-XRF) scanning technique (2017)X-ray and neutron imaging for cultural heritage: the INFN-CHNet experience (2024)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Ochre-differentiation through micro-Raman and micro-FTIR spectroscopies: application on wall paintings at Meteora and Mount Athos, Greece (2000)Clay and iron oxide pigments in the history of painting (2003)Orthodox Religious Art of South Albania from the 16th to the 19th Centuries (2025)Tempera and Tempera Grassa─From Wet Paints to Solid Films (2023)
this work references cited by second hop

References

  • 2003Gas chromatography/mass spectrometry for the characterization of organic materials in frescoes of the Momumental Cemetery of Pisa (Italy)55 cited
  • 2004Bronze Age painted plaster in Mycenaean Greece: a pilot study on the testing and application of micro‐Raman spectroscopy34 cited
  • 1977Scientific Analyses of Minoan Fresco Samples from Knossos32 cited

Cited by

  • 2022An Insight into Gandharan Art: Materials and Techniques of Polychrome Decoration14 cited
  • 2017Effect of NaCl on the fabrication of the Egyptian blue pigment13 cited
  • 2023Characterization of art materials and degradation processes in the exterior wall paintings of the main church of Rila Monastery, Bulgaria12 cited
  • 2019Macroscopic XRF imaging in unravelling polychromy on Mycenaean wall-paintings from the Palace of Nestor at Pylos12 cited
  • 2018Evolved Gas Analysis‐Mass Spectrometry to Identify the Earliest Organic Binder in Aegean Style Wall Paintings12 cited
  • 2018Evolved Gas Analysis‐Mass Spectrometry to Identify the Earliest Organic Binder in Aegean Style Wall Paintings10 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work