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Many aspects of the performance of early seventeenth-century monodic song remain a mystery. On the basis of the musical notation alone, we might be tempted to wonder, as did Charles Burney, … how pleasing effects could be produced by such simple, unadorned, and almost unaccompanied melodies …. the expression of the Music of this period in Italy is so entirely lost, that, like a dead language, no one is certain how it was pronounced.
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