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The Transparent Stone: Inverted Vision and Binary Imagery in Medieval Chinese Art
8 references·0 citing·18 second hop
The Transparent Stone: Inverted Vision and Binary Imagery in Medieval Chinese Art (1994)The Transparent Stone: Inverted Vision an…Readings in Chinese literary thought (1993)Readings in Chinese literary …The Reading of Imagery in The Chinese Poetic Tradition (1991)The Reading of Imagery in The…Varieties of Realism: Geometries of Representational Art (1986)Varieties of Realism: Geometr…Vision and Painting: The Logic of the Gaze (1984)Vision and Painting: The Logi…Eight Dynasties of Chinese Painting: The Collections of the Nelson Gallery-Atkins Museum, Kansas City, and the Cleveland Museum of Art (1983)Eight Dynasties of Chinese Pa…Chinese Painting: Leading Masters and Principles (1975)Chinese Painting: Leading Mas…The Order of Things: An Archaeology of the Human Sciences. (1971)The Order of Things: An Archa…Life-Motion and the Sense of Space in Early Chinese Representational Art (1948)Life-Motion and the Sense of …Limits to Anthropocentrism: Toward an Ecocentric Organization Paradigm? (1995)Feminist Visualization: Re-envisioning GIS as a Method in Feminist Geographic Research (2002)Visual essentialism and the object of visual culture (2003)Intention, history, and artifact concepts (1996)Beyond Resemblance (2013)Visual Representations and Learning: The Role of Static and Animated Graphics (2013)Transfiguration: Man-Made Objects as Demons in Japanese Scrolls (1995)Emptiness‐Substance: Xushi (2015)Koryŏ Buddhist Paintings and the Cult of Amitābha: Visions of a Hwaŏm-Inspired Pure Land (2015)Authorship and Cultural Identity in Early Greece and China: Patterns of Literary Circulation (2010)Metaphor and Meaning in Early China (2011)Against Historicist Fundamentalism (2016)Action and embodiment within situated human interaction (2000)Posthumanist Performativity: Toward an Understanding of How Matter Comes to Matter (2003)Visible Identities (2006)Emotion Refinement: A Theory Inspired by Chinese Poetics (2007)Songs of the Righteous Spirit: "Men of High Purpose" and Their Chinese Poetry in Modern Japan (2009)Becoming more than it never (actually) was: Expressive writing as research-creation (2016)
this work references cited by second hop

References

  • 1971The Order of Things: An Archaeology of the Human Sciences.8,100 cited
  • 1984Vision and Painting: The Logic of the Gaze487 cited
  • 1993Readings in Chinese literary thought375 cited
  • 1986Varieties of Realism: Geometries of Representational Art126 cited
  • 1991The Reading of Imagery in The Chinese Poetic Tradition70 cited
  • 1975Chinese Painting: Leading Masters and Principles25 cited
  • 1948Life-Motion and the Sense of Space in Early Chinese Representational Art23 cited
  • 1983Eight Dynasties of Chinese Painting: The Collections of the Nelson Gallery-Atkins Museum, Kansas City, and the Cleveland Museum of Art21 cited

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