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Narrating Biesje Poort: negotiating absence of storyline, vagueness and multivocality in the representation of Southern Kalahari rock engravings
16 references·3 citing·29 second hop
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References

  • 2002The Perception of the Environment4,925 cited
  • 2011Being Alive4,411 cited
  • 2007Lines1,408 cited
  • 2013Entangled: an archaeology of the relationships between humans and things945 cited
  • 2006Time perspectives, palimpsests and the archaeology of time911 cited
  • 2008Lines: a brief history747 cited
  • 1999Envisioning Power452 cited
  • 2000Envisioning Power: Ideologies of Dominance and Crisis367 cited
  • 1992Hunters and Herders of Southern Africa349 cited
  • 1993Hunters and Herders of Southern Africa. A Comparative Ethnography of the Khoisan Peoples302 cited
  • 2014Ingold, Tim. Being Alive, Essays on Movement, Knowledge and Description. 2011. London, Routledge175 cited
  • 2005Epilogue: Towards a Politics of Dwelling154 cited
  • 2022Southern African Field Archaeology152 cited
  • 1996Contested Images: Diversity in Southern African Rock Art Research151 cited
  • 1989Writing archaeology: site reports in context150 cited
  • 2002Archaeologies that hurt; descendants that matter: A pragmatic approach to collaboration in the public interpretation of African-American archaeology

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140 cited

Cited by

  • 2022River, Rock, and ‘The Rain’s Magic Power’: Rock Art and Memory in the Northern Cape, South Africa1 cited
  • 2024Out of Place: Postcolonial Legacy and Indigenous Heritage in South Africa0 cited
  • 2014Dispute resolution – an archaeological perspective with case studies from the South African Stone Age and San ethnography0 cited