SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Interior Portraits: Women, Physiology and the Male Artist
15 references·1 citing·33 second hop
Interior Portraits: Women, Physiology and the Male Artist (1986)Interior Portraits: Women, Physiology and…Virility and Domination in Early Twentieth-Century Vanguard Painting (2018)Virility and Domination in Ea…Feminism and Art History (2018)Feminism and Art HistoryThe Other Victorians (2017)The Other VictoriansThe Subversive Stitch: Embroidery and the Making of the Feminine (1991)The Subversive Stitch: Embroi…The Painting of Modern Life: Paris in the Art of Manet and His Followers (1986)The Painting of Modern Life: …REAPPRAISING RENOIR (1985)REAPPRAISING RENOIRHow Do Women Look? The Female Nude in the Work of Suzanne Valadon (1985)How Do Women Look? The Female…PATRIARCHAL POWER AND THE PRE‐RAPHAELITES (1984)PATRIARCHAL POWER AND THE PRE…Sex, Politics and Society. The Regulation of Sexuality Since 1800 (1982)Sex, Politics and Society. Th…Old Mistresses: Women, Art and Ideology (1982)Old Mistresses: Women, Art an…A Turk and his Pictures in Nineteenth-Century Paris (1982)A Turk and his Pictures in Ni…Women as Interpreters of the Visual Arts, 1820-1979 (1981)Women as Interpreters of the …THE LAUNDRESS IN LATE NINETEENTH‐CENTURY FRENCH CULTURE: Imagery, ideology and Edgar Degas (1980)THE LAUNDRESS IN LATE NINETEE…Ce sexe qui n'en est pas un (1974)Ce sexe qui n'en est pas unGauguin's paradise lost (1971)Gauguin's paradise lost‘Who touched my clothes?’: The Healing of the Woman with the Haemorrhage (Mark 5: 24–34; Luke 8: 42–48 and Matthew 9: 19–22) in Early Medieval Visual Culture (2010)‘Who touched my clothes?’: Th…The Second Sex (1949)Visual Pleasure and Narrative Cinema (1975)1.7 THIS SEX WHICH IS NOT ONE (1977)Reclaiming Vision: Looking at landscape and the body (1996)Counterhegemonic acts: Appropriation as a feminist rhetorical strategy (1997)"Mother isn't quite herself today:" myth and spectacle in The Matrix (2002)Golden age to separate spheres? A review of the categories and chronology of English women's history (1993)Negotiating Time and Space for Serious Leisure: Quilting in the Modern U.S. Home (2006)Entrepreneurship among the Displaced and Dispossessed: Exploring the Limits of Emancipatory Entrepreneuring (2015)BRITISH ART AND EMPIRE (2007)Victorian Exhibition Culture: The Market Then and the Museum Today1 (2010)Still Shakespeare and the Photography of Performance (2019)Bodies and sensings: On the uses of Husserlian phenomenology for feminist theory (2010)Lycoris Galli/Volumnia Cytheris: a Greek Courtesan in Rome (2011)Auguste Comte and Positivism (2019)Practising photography: an archive, a study, some photographs and a researcher (2000)Constructing an artistic identity (2005)Sex, Gender and Work Segregation in the Cultural Industries (2015)Militant Discourse, Strange Bedfellows: Suffragettes and Vorticists before the War (1992)Essays on Paula Rego (2019)La construcción de la figura del artista en el siglo XIX: mitos, imagen pública y género (2021)White Collars, Gray Lives? The Lower Middle Class Revisited (1999)The Culture Economy of Paris∗ (2000)The Feminine in Modern Art (2000)Writing Gone Wilde: Homoerotic Desire in the Closet of Representation (1987)Ironic Gender/Authentic Sex (2003)Pornography, Normalization, and Empowerment (2010)Anthropology rediscovers sexuality: A theoretical comment (1991)Embodying Inequality: A Review of Concepts, Measures, and Methods for Studying Health Consequences of Discrimination (1999)Sexual Politics, Orientalism and Multicultural Citizenship in the Netherlands (2010)The Education of Women in Ancient Rome (2015)Proposal of a Technological Ergonomic Model for People with Disabilities in the Public Transport System in Guayaquil (2019)Storie della Biennale di Venezia (2019)
this work references cited by second hop

References

  • 1982Sex, Politics and Society. The Regulation of Sexuality Since 1800883 cited
  • 1991The Subversive Stitch: Embroidery and the Making of the Feminine646 cited
  • 1974Ce sexe qui n'en est pas un581 cited
  • 1982Old Mistresses: Women, Art and Ideology475 cited
  • 1986The Painting of Modern Life: Paris in the Art of Manet and His Followers100 cited
  • 2017The Other Victorians78 cited
  • 2018Virility and Domination in Early Twentieth-Century Vanguard Painting35 cited
  • 2018Feminism and Art History33 cited
  • 1985How Do Women Look? The Female Nude in the Work of Suzanne Valadon29 cited
  • 1984PATRIARCHAL POWER AND THE PRE‐RAPHAELITES25 cited
  • 1982A Turk and his Pictures in Nineteenth-Century Paris19 cited
  • 1981Women as Interpreters of the Visual Arts, 1820-197916 cited
  • 1971Gauguin's paradise lost7 cited
  • 1980THE LAUNDRESS IN LATE NINETEENTH‐CENTURY FRENCH CULTURE: Imagery, ideology and Edgar Degas6 cited
  • 1985REAPPRAISING RENOIR2 cited

Cited by

  • 2010‘Who touched my clothes?’: The Healing of the Woman with the Haemorrhage (Mark 5: 24–34; Luke 8: 42–48 and Matthew 9: 19–22) in Early Medieval Visual Culture

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

2 cited