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John Webster, Tussaud Laureate: The Waxworks in The Duchess of Malfi
16 references·5 citing·30 second hop
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References

  • 1953The Standard Edition of the Complete Psychological Works of Sigmund Freud17,730 cited
  • 2020Rabelais and his world3,421 cited
  • 1988The Politics and Poetics of Transgression3,290 cited
  • 1991The Power of Images: Studies in the History and Theory of Response454 cited
  • 1993Desire and anxiety: circulations of sexuality in Shakespearean drama231 cited
  • 1961The Diary of John Evelyn167 cited
  • 1960The royal funeral ceremony in Renaissance France140 cited
  • 1998:Issues of Death: Mortality and Identity in English Renaissance Tragedy136 cited
  • 2000Dead hands: fictions of agency, Renaissance to modern116 cited
  • 2000Funeral Monuments in Post-Reformation England90 cited
  • 1996The tears of Narcissus: melancholia and masculinity in early modern writing82 cited
  • 2017Jacobean Private Theatre70 cited
  • 1934Our Theatres in the Nineties70 cited
  • 2008Ephemeral Bodies: Wax Sculpture and the Human Figure66 cited
  • 1996The Emperor's new body?Richard II, Ernst Kantorowicz, and the politics of Shakespeare criticism58 cited
  • 1963The lives of the painters, sculptors, and architects

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55 cited

Cited by

  • 2014Wax Magic and The Duchess of Malfi9 cited
  • 2022“Framed in Wax”: Fiction as Artificial Experience inThe Duchess of Malfi8 cited
  • 2017The Dynamics of Inheritance on the Shakespearean Stage7 cited
  • 2015The Revenger’s Tragedy as Trauerspiel3 cited
  • 2021Wrestling with the Eco-Self in John Webster's Duchess of Malfi2 cited