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Rossini and the Development of the Mid-Century Lyric Form
3 references·7 citing·32 second hop
Rossini and the Development of the Mid-Century Lyric Form (1988)Rossini and the Development of the Mid-Ce…Verdi in the Age of Italian Romanticism (1982)Verdi in the Age of Italian R…Beyond Schenkerism: The Need for Alternatives in Music Analysis (1979)Beyond Schenkerism: The Need …Beyond Schenkerism. The Need for Alternatives in Music Analysis (1978)Beyond Schenkerism. The Need …Lyric Forms as “Performed” Speech in Das Rheingold and Die Walküre (2021)Lyric Forms as “Performed” Sp…Climax Building in Verismo Opera (2020)Climax Building in Verismo Op…The dramaturgy of opera (2012)The dramaturgy of operaNineteenth-Century Music: Quantity, Quality, Qualities (2004)Nineteenth-Century Music: Qua…Musical Pleasures and Amorous Passions: Stendhal, the Crystallization Process, and Listening to Rossini and Beethoven (2003)Musical Pleasures and Amorous…New sources forStiffelio: A preliminary report (1993)New sources forStiffelio: A p…Analytic contexts and mediated influences: The RossinianConvenienzeand Verdi's middle and late duets (1990)Analytic contexts and mediate…Verdi's Aida: The History of an Opera in Letters and Documents (1978)"La solita forma" and "The Uses of Convention" (1987)Il Teatro La Fenice : cronologia degli spettacoli, 1792-1936 (1989)Verdi and his major contemporaries: a selected chronology of performances with casts (1991)Analyzing Opera: Verdi and Wagner (1992)The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music (1993)The Romantic Generation (1995)Musical Meaning in Beethoven: Markedness, Correlation, and Interpretation (1996)Schenkerian Theory in the United States. A Review of Its Establishment and a Survey of Current Research Topics (2005)Verdi, Opera, Women (2013)Highbrow/Lowbrow (1988)Highbrow/lowbrow: the emergence of cultural hierarchy in America (1989)Feminine Endings: Music, Gender, and Sexuality (1992)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1984)The structural transformation of the public sphere: an inquiry into a category of bourgeois society (1990)Culture and Imperialism. (1994)Doctor Atomicor: How John Adams Learned to Stop Worrying and Love Sound Design (2019)Style and music: theory, history, and ideology (1990)Classical Form (1998)Elements of Sonata Theory (2006)How To Do Things With Words (1975)Phrase Rhythm in Tonal Music (1991)Unsung Voices: Opera and Musical Narrative in the Nineteenth Century (1991)Opera as Reflected in Russian Academic Periodicals of the Last Five Years (2023)The Concept of Musical Grammar (1983)Metaphors of depth in German musical thought : from E. T. A. Hoffmann to Arnold Schoenberg (2011)Statistical characteristics of tonal harmony: A corpus study of Beethoven’s string quartets (2019)Becoming a citizen: The chorus inRisorgimentoopera (1990)Social control and the censorship of Giuseppe Verdi's operas in Rome (1844–1859) (1999)Verdi and the French Aesthetic: Verse, Stanza, and Melody in the Nineteenth-Century Opera (2008)Some Major Theoretical Problems concerning the Concept of Hierarchy in the Analysis of Tonal Music (1983)Developing a musical ear: A new experiment (2013)
this work references cited by second hop

References

  • 1982Verdi in the Age of Italian Romanticism113 cited
  • 1979Beyond Schenkerism: The Need for Alternatives in Music Analysis85 cited
  • 1978Beyond Schenkerism. The Need for Alternatives in Music Analysis57 cited

Cited by

  • 2003Musical Pleasures and Amorous Passions: Stendhal, the Crystallization Process, and Listening to Rossini and Beethoven19 cited
  • 2004Nineteenth-Century Music: Quantity, Quality, Qualities17 cited
  • 1993New sources forStiffelio: A preliminary report6 cited
  • 1990Analytic contexts and mediated influences: The RossinianConvenienzeand Verdi's middle and late duets5 cited
  • 2012The dramaturgy of opera5 cited
  • 2021Lyric Forms as “Performed” Speech in Das Rheingold and Die Walküre4 cited
  • 2020Climax Building in Verismo Opera3 cited

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