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Useful Cinema, Film Genres, and Screen Networks: The Story of Canadian Films Limited (1919–1920)
9 references·1 citing·29 second hop
Useful Cinema, Film Genres, and Screen Networks: The Story of Canadian Films Limited (1919–1920) (2011)Useful Cinema, Film Genres, and Screen Ne…Films that Work : Industrial Film and the Productivity of Media (2009)Films that Work : Industrial …Policing cinema: movies and censorship in early-twentieth-century America (2004)Policing cinema: movies and c…The Art of Nation-Building: Pageantry and Spectacle at Quebec's Tercentenary (2000)The Art of Nation-Building: P…At the Picture Show: Small-Town Audiences and the Creation of Movie Fan Culture (1998)At the Picture Show: Small-To…We Belong To This Land: A View of “Cultural Difference” (1996)We Belong To This Land: A Vie…Towards a pragmatics of the audiovisual: theory and history. - 2 (1994)Towards a pragmatics of the a…Canadian Dreams and American Control: The Political Economy of the Canadian Film Industry (1990)Canadian Dreams and American …Embattled Shadows: A History of Canadian Cinema, 1895-1939 (1983)Embattled Shadows: A History …"Say It Ain't So!" (1961)"Say It Ain't So!"The Myth of Evangeline and the Origin of Canadian National Cinema (2014)The Myth of Evangeline and th…The remembered earth : an anthology of contemporary Native American literature (1981)Exploring the determinants of health for First Nations peoples in Canada: can existing frameworks accommodate traditional activities? (2002)Therapeutic landscapes and First Nations peoples: an exploration of culture, health and place (2003)Language and Culture as Protective Factors for At-Risk Communities (2013)Pricing the Priceless Child: The Changing Social Value of Children (1986)The Content of the Form: Narrative Discourse and Historical Representation. (1987)Electric Homes! Automatic Movies! Efficient Entertainment!: 16mm and Cinema's Domestication in the 1920s (2009)Media Resistance (2017)Science and the politics of openness (2018)The Concept of National Cinema (1989)Feminist film theory: a reader (2000)The historical film : history and memory in media (2001)RELOCATING AMERICAN FILM HISTORY (2006)The Hidden History of Product Placement (2006)"You Are Invited to Participate": Interactive Fandom in the Age of the Movie Magazine (2009)Nah, We Straight: An Argument Against Code-Switching (2010)Extending and Withholding Forgiveness to Josh Hamilton (2013)Landscapes, Memory, Monuments, and Commemoration: Putting Identity in Its Place (2001)Rules of Engagement: Public History and the Drama of Legitimation (2005)Manly Contests: Rodeo Masculinities at the Calgary Stampede (2009)“Tangible as Tissue”: Arnold Gesell, Infant Behavior, and Film Analysis (2011)“Smokestack Nostalgia,” “Ruin Porn” or Working-Class Obituary: The Role and Meaning of Deindustrial Representation (2013)Media archaeology as symptom (2016)An Irresistible Market: A Critical Analysis of Hollywood-Bollywood Coproductions (2012)Sustainability in the film industry: External and internal dynamics shaping the Wellington film district (2015)Turning Point: The Origins of Canadian Content Requirements for Commercial Radio (2017)“The Pleasure is Exquisite but Violent” : The Imaginary Geography of Niagara Falls in the Nineteenth Century (1994)Flaherty's Hollywood Period: The Crosby Version (1998)Cultural Technologies and the “Evolution” of Technological Cultures (2009)
this work references cited by second hop

References

  • 2009Films that Work : Industrial Film and the Productivity of Media275 cited
  • 2004Policing cinema: movies and censorship in early-twentieth-century America172 cited
  • 2000The Art of Nation-Building: Pageantry and Spectacle at Quebec's Tercentenary127 cited
  • 1998At the Picture Show: Small-Town Audiences and the Creation of Movie Fan Culture97 cited
  • 1990Canadian Dreams and American Control: The Political Economy of the Canadian Film Industry73 cited
  • 1983Embattled Shadows: A History of Canadian Cinema, 1895-193955 cited
  • 1996We Belong To This Land: A View of “Cultural Difference”37 cited
  • 1961"Say It Ain't So!"26 cited
  • 1994Towards a pragmatics of the audiovisual: theory and history. - 25 cited

Cited by

  • 2014The Myth of Evangeline and the Origin of Canadian National Cinema4 cited

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