Paintings on a Photographic Base

Mervyn Ruggles

12 citations0/0 files storedJournal of the American Institute for Conservation

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Cultural Heritage Materials Analysis Historical Art and Architecture Studies Historical Art and Culture Studies

Abstract

This paper reviews the history of the oil portrait painted over a photographic base, popular in the second half of the 19th century. Problems in the examination and conservation of these portraits are described

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References

1972The Painter and the Photograph, from Delacroix to Warhol 1973The Painter and the Photograph from Delacroix to Warhol

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2022The Colors of the Butterfly Wings: Non-Invasive Microanalytical Studies of Hand-Coloring Materials in 19th-Century Daguerreotypes

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