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So You Think You Can Dance Does Dance Studies
15 references·1 citing·35 second hop
So You Think You Can Dance Does Dance Studies (2012)So You Think You Can Dance Does Dance Stu…Visuality in the Theatre (2008)Visuality in the TheatreVisuality in the theatre : the locus of looking (2008)Visuality in the theatre : th…The Cambridge Companion to Performance Studies (2008)The Cambridge Companion to Pe…Movement’s contagion: the kinesthetic impact of performance (2008)Movement’s contagion: the kin…The Scar of Visibility: Medical Performances and Contemporary Art (2007)The Scar of Visibility: Medic…Stage Fright, Animals, and Other Theatrical Problems (2006)Stage Fright, Animals, and Ot…Exhausting Dance: Performance and the Politics of Movement (2006)Exhausting Dance: Performance…The body, dance and cultural theory (2004)The body, dance and cultural …Parables for the virtual: movement, affect, sensation (2002)Parables for the virtual: mov…Parables for the Virtual (2002)Parables for the VirtualPictures and Tears: A History of People Who Have Cried in Front of Paintings (2001)Pictures and Tears: A History…Dancing women: female bodies on stage (1998)Dancing women: female bodies …The Queen of America Goes to Washington City: (1997)The Queen of America Goes to …The Queen of America Goes to Washington City (1997)The Queen of America Goes to …Gender in Performance: The Presentation of Difference in the Performing Arts (1994)Gender in Performance: The Pr…Hovering on Screen: The WOW-Affect and Fan Communities of Affective Spectatorship on So You Think You Can Dance (2015)Hovering on Screen: The WOW-A…Written by Herself: Harriet Jacobs' Slave Narrative (1981)Incidents in the Life of a Slave Girl, Written by Herself (1990)The structural transformation of the public sphere: an inquiry into a category of bourgeois society (1990)Embodying Neoliberalism: Economy, Culture, and the Politics of Fat (2006)Capitalism and the Politics of Resignation (2010)Proximity by design? Affective citizenship and the management of unease (2010)Writing and Difference (1980)A Thousand Plateaus: Capitalism and Schizophrenia (1989)Passionate amateurs: theatre, communism, and love (2014)The theatrical public sphere (2015)The Interpretation of Cultures (2017)Shakespeare, Spectatorship and the Technologies of Performance (2020)Choreography as Apparatus of Capture (2007)The Cambridge Introduction to Theatre Studies (2008)Introduction toPerforming Refusal/Refusing to Perform (2019)Essentialism, adaptation and justice: Towards a new epistemology of museums (2006)Managing Networks of Creativity (2012)Stains and Remains: Liveliness, Materiality, and the Archival Lives of Queer Bodies (2017)Millennial Capitalism: First Thoughts on a Second Coming (2000)Is Kinship Always Already Heterosexual? (2002)The Logic of Masculinist Protection: Reflections on the Current Security State (2003)‘Just Crumbling to Bits’? An Exploration of the Body, Ageing, Injury and Career in Classical Ballet Dancers (2006)Keeping up Appearances: Aesthetic Labour in the Fashion Modelling Industries of London and New York (2006)Perceiving subjectivity in bodily movement: The case of dancers (2009)Intensities of feeling: towards a spatial politics of affect (2004)Emotions and Social Movements: Twenty Years of Theory and Research (2011)The Turn to Affect: A Critique (2011)Rehearsing Heterosexuality: Unspoken Truths in Dance Education (2002)‘The Moment When it All Comes Together’ (2004)Ambivalent Agency: Gestural Performances of Hands in Weimar Dance and Film (2010)Collective Feelings (2004)Affective atmospheres (2009)Kinesthesia, Empathy, and Related Pleasures: An Inquiry into Audience Experiences of Watching Dance (2010)The experience of watching dance: phenomenological–neuroscience duets (2011)The Cambridge Introduction to Performance Theory (2016)
this work references cited by second hop

References

  • 2002Parables for the Virtual4,608 cited
  • 2002Parables for the virtual: movement, affect, sensation3,771 cited
  • 1997The Queen of America Goes to Washington City2,097 cited
  • 2006Stage Fright, Animals, and Other Theatrical Problems279 cited
  • 1998Dancing women: female bodies on stage208 cited
  • 1997The Queen of America Goes to Washington City:206 cited
  • 2006Exhausting Dance: Performance and the Politics of Movement182 cited
  • 2001Pictures and Tears: A History of People Who Have Cried in Front of Paintings179 cited
  • 2004The body, dance and cultural theory124 cited
  • 2008The Cambridge Companion to Performance Studies97 cited
  • 2007The Scar of Visibility: Medical Performances and Contemporary Art73 cited
  • 2008Movement’s contagion: the kinesthetic impact of performance72 cited
  • 2008Visuality in the Theatre62 cited
  • 2008Visuality in the theatre : the locus of looking53 cited
  • 1994Gender in Performance: The Presentation of Difference in the Performing Arts37 cited

Cited by

  • 2015Hovering on Screen: The WOW-Affect and Fan Communities of Affective Spectatorship on So You Think You Can Dance

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13 cited