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This article considers the role of music among German, Polish and Jewish prisoners in Sachsenhausen, the Nazi concentration camp. It focuses primarily on the songs that were composed and sung in the camp, of which at least 350 are known. The article uses song as a lens through which to examine the diversity of the camp's social landscape, and places particular emphasis on the distinctive ways in which prisoner groups chose to interpret and respond to the experience of incarceration.
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