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The Great Depression and the Culture of Abundance: Kenneth Fearing, Nathanael West, and Mass Culture in the 1930s.
0 references·7 citing·28 second hop
The Great Depression and the Culture of Abundance: Kenneth Fearing, Nathanael West, and Mass Culture in the 1930s. (1997)The Great Depression and the Culture of A…The Cambridge Introduction to Satire (2018)The Cambridge Introduction to…Marianne Moore’s Depression Collectives (2013)Marianne Moore’s Depression C…Wealth and/or Love: Class and Gender in the Cross-class Romance Films of the Great Depression (2012)Wealth and/or Love: Class and…Real folks: race and genre in the Great Depression (2012)Real folks: race and genre in…“Any Chance to Be Unrefined”: Film Narrative Modes in Anita Loos's Fiction (2010)“Any Chance to Be Unrefined”:…Eudora Welty Goes to the Movies: Modernism, Regionalism, Global Media (2009)Eudora Welty Goes to the Movi…Carl Sandburg's The People, Yes, Thirties Modernism, and the Problem of Bad Political Poetry (2004)Carl Sandburg's The People, Y…History and Class Consciousness (1923)Repression and recovery: modern American poetry and the politics of cultural memory, 1910-1945 (1990)American Culture Between the Wars: Revisionary Modernism and Postmodern Critique. (1994)The Rising Tide of Color Against White World-Supremacy (1920)The Classical Hollywood Cinema: Film Style & Mode of Production to 1960 (1986)The genius of the system: Hollywood filmmaking in the studio era (1989)They must be represented: the politics of documentary (1995)Unoriginal genius: poetry by other means in the new century (2011)Marianne Moore’s “Blue Bug”: A Dialogic Ode on Celebrity, Race, Gender, and Age (2015)“Spenser’s Ireland,” December 1941: Scripting a Response (2017)Freedom from Fear: The American People in Depression and War, 1929-1945 (2017)Vested Interests: Cross-Dressing and Cultural Anxiety (1993)Book Review: Modernity at Large: Cultural Dimensions of Globalization (1998)Queering the color line: race and the invention of homosexuality in American culture (2000)A Collision of Visions: Montage and the Concept of Collision in Eudora Welty’s “June Recital” (2013)The Cambridge Companion to the Literature of the American South (2013)Adventure, Mystery, and Romance (1976)Culture as history (1984)Consuming the Romantic Utopia (1997)A Treatise of Human Nature (1739)The Postmodern Condition: A Report on Knowledge (1984)The structural transformation of the public sphere: an inquiry into a category of bourgeois society (1990)Satire and the Public Emotions (2019)Drittes Kapitel: Das satirische Plakat im rechtlichen Konflikt (2021)Satire vor Gericht (2021)The Condition of Postmodernity (1991)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1994)Capital: A Critique of Political Economy (2020)
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Cited by

  • 2018The Cambridge Introduction to Satire73 cited
  • 2009Eudora Welty Goes to the Movies: Modernism, Regionalism, Global Media38 cited
  • 2012Real folks: race and genre in the Great Depression17 cited
  • 2013Marianne Moore’s Depression Collectives14 cited
  • 2004Carl Sandburg's The People, Yes, Thirties Modernism, and the Problem of Bad Political Poetry13 cited
  • 2010“Any Chance to Be Unrefined”: Film Narrative Modes in Anita Loos's Fiction9 cited
  • 2012Wealth and/or Love: Class and Gender in the Cross-class Romance Films of the Great Depression4 cited

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