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Focusing on the connection between dance performance and the politics of identity, I explore the problem of human agency and interrogate the concept of a dualistic split between mind and body. I interpret dance as a form of corporeal politics and use the example of dance in two tourist arenas—the Tjapukai Aboriginal Cultural Park and the Laura Dance and Cultural Festival—to illustrate Aboriginal agency in both participating in and resisting structures of state bureaucratic practice, and representations of cultural authenticity.
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