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This essay explores the on‐going struggle to reveal and conceal the image of Eva Habib, an Arab American woman who worked in a Detroit factory and was photographed in her coveralls circa 1925. Eva's image has been a source of controversy in Detroit's Arab community since it first became public in the 1980s. I chart the evolution of this controversy, examine the interests of the parties involved, and draw conclusions about how this controversial image simultaneously undermines and reinforces popular notions of women, work, and class among Arab Americans.
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Papers that cite the same references — the relational fallback while embeddings are still backfilling.
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