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The incorporation of interactive technology into the memorialization of the World War II incarceration of 120,000 Japanese Americans enables those with no prior connection to this history to role-play the internment experience. This essay compares the author’s digital role-playing game Drama in the Delta with the Broadway-bound musical Allegiance , arguing that the shared impulse to use performance to walk in internees’ shoes threatens to eclipse historical understanding with an uncritical form of empathy.
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Stored only when both papers are in the corpus — 8 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
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