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Take out my guitar and play: Recruitment of popular music performers
6 references·0 citing·27 second hop
Take out my guitar and play: Recruitment of popular music performers (1979)Take out my guitar and play: Recruitment …“From ASCAP to Alan Freed: The pre‐history of rock ‘n’ roll (1978)“From ASCAP to Alan Freed: Th…Market Structure, the Creative Process, and Popular Culture: Toward an Organizational Reinterpretation of Mass‐Culture Theory (1977)Market Structure, the Creativ…Cycles in Symbol Production: The Case of Popular Music (1975)Cycles in Symbol Production: …Processing Fads and Fashions: An Organization-Set Analysis of Cultural Industry Systems (1972)Processing Fads and Fashions:…“Everybody knows this is nowhere”: Role conflict and the rock musician (1971)“Everybody knows this is nowh…The Professional Dance Musician and His Audience (1951)The Professional Dance Musici…The Sound of the City: The Rise of Rock and Roll (1971)Apple to the core: The unmaking of the Beatles (1972)Rock 'N' Roll Is Here to Pay: The History and Politics of the Music Industry (1977)Is rock 'n' roll a symptom of baumol's disease? (1985)From Anonymous Announcer to Radio Personality, From Pied Piper to Payola: The American Disc Jockey, 1950–1970 (1990)Mass Communication and Para-Social Interaction (1956)Outsiders; studies in the sociology of deviance (1963)The Making of a Counter Culture (1970)Positive deviance: A labeling approach to the star syndrome in popular music1 (1982)The Beatles and Sixties Britain (2020)Strategy and Structure: Chapters in the History of the American Industrial Enterprise (1962)Fashion: From Class Differentiation to Collective Selection (1969)Managerial Fads and Fashions: The Diffusion and Rejection of Innovations (1991)The Categorical Imperative: Securities Analysts and the Illegitimacy Discount (1999)Experimental Study of Inequality and Unpredictability in an Artificial Cultural Market (2006)Diffusion of Innovations 1 (2019)The Structure of Scientific Revolutions (1963)MANAGEMENT FASHION (1996)Capitalism, Socialism and Democracy (1997)The Cultural Economy of Cities (1997)Why the Microbrewery Movement? Organizational Dynamics of Resource Partitioning in the U.S. Brewing Industry (2000)Role as Resource in the Hollywood Film Industry (1991)Robust Identities or Nonentities? Typecasting in the Feature‐Film Labor Market (2003)Brokerage (2012)Producing Artistic Value: The Case of Rock Music (1994)When Cymbals Become Symbols: Conflict Over Organizational Identity Within a Symphony Orchestra (2000)Nexus Work: Brokerage on Creative Projects (2009)
this work references cited by second hop

References

  • 1972Processing Fads and Fashions: An Organization-Set Analysis of Cultural Industry Systems1,345 cited
  • 1975Cycles in Symbol Production: The Case of Popular Music594 cited
  • 1951The Professional Dance Musician and His Audience289 cited
  • 1977Market Structure, the Creative Process, and Popular Culture: Toward an Organizational Reinterpretation of Mass‐Culture Theory213 cited
  • 1971“Everybody knows this is nowhere”: Role conflict and the rock musician18 cited
  • 1978“From ASCAP to Alan Freed: The pre‐history of rock ‘n’ roll7 cited

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