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Middlebrow Knowingness in 1950s San Francisco: The Kingston Trio, Beat Counterculture, and the Production of “Authenticity”
16 references·0 citing·40 second hop
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References

  • 1996The Field of Cultural Production: Essays on Art and Literature4,672 cited
  • 2002The Organization Man1,737 cited
  • 1983The field of cultural production, or: The economic world reversed1,362 cited
  • 1980The production of belief: contribution to an economy of symbolic goods611 cited
  • 1985The market of symbolic goods398 cited
  • 2002CITIES, QUEER SPACE, AND THE COSMOPOLITAN TOURIST244 cited
  • 2022Variations on a Theme of Liminality218 cited
  • 2001Queer Pilgrimage: The San Francisco Homeland and Identity Tourism112 cited
  • 1996When We Were Good: The Folk Revival106 cited
  • 2001This Is the Beat Generation90 cited
  • 1995Beat culture and the New America, 1950-196575 cited
  • 2003The Beat Generation: Critical Essays70 cited
  • 2005Blows like a horn: beat writing, jazz, style, and markets in the transformation of U.S. culture58 cited
  • 1999Beat Culture: The 1950s and Beyond53 cited
  • 1971The Folk Music Revival and the Counter Culture: Contributions and Contradictions37 cited
  • 2005Bohemian resonance: the beat generation and urban countercultures in the United States during the late 1950s and early 1960s

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