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The Functional Differentiation of Harmonic and Transpositional Patterns in Liszt's "Consolation" No. 4
9 references·0 citing·32 second hop
The Functional Differentiation of Harmonic and Transpositional Patterns in Liszt's "Consolation" No. 4 (1990)The Functional Differentiation of Harmoni…The Rhetoric of Genre: Chopin's Nocturne in G Minor (1988)The Rhetoric of Genre: Chopin…Schumann and Late Eighteenth-Century Narrative Strategies (1987)Schumann and Late Eighteenth-…Mahler's tonal strategies: A study of the song cycles† (1986)Mahler's tonal strategies: A …Ernst Kurth and the Analysis of the Chromatic Music of the Late Nineteenth Century (1983)Ernst Kurth and the Analysis …Harmony and Voice Leading (1982)Harmony and Voice LeadingTonal implications of the diatonic set (1981)Tonal implications of the dia…The Structure of the "Ring" and Its Evolution (1977)The Structure of the "Ring" a…Structural Functions in Music (1977)Structural Functions in MusicBruckner, Mahler, Schoenberg (1948)Bruckner, Mahler, SchoenbergStyle and Idea. Selected Writings of Arnold Schoenberg (1976)Ways of Worldmaking (1978)The New Grove Dictionary of Music and Musicians (1982)The idea of history (1946)The Structural Study of Myth (1955)Can One Speak of Narrativity in Music? (1990)Haydn, Laurence Sterne, and the Origins of Musical Irony (1991)The New Grove dictionary of music and musicians (2001)Virtuosity and the Musical Work (2003)Philosophical Investigations. (1967)The Rhetoric of Fiction (1983)Four-Hand Piano Transcription and Geographies of Nineteenth-Century Musical Reception (1999)Questions of Genre in Black Popular Music (2017)Instrumental Music in an Age of Sociability: Haydn, Mozart and Friends (2019)Texture as a Sign in Classic and Early Romantic Music (1982)Fantasy Pieces (1999)Meter and Grouping in African Music: A View from Music Theory (2000)The Nineteenth-Century Wanderlieder Cycle (1987)An Application of the Grundgestalt Concept to the First and Second Sonatas for Clarinet and Piano, Op. 120, No. 1 & No. 2, by Johannes Brahms (2004)Other classical repertories (2013)Cadential processes: The evaded cadence and the “one more time” technique (1992)Schoenberg's Musical Imagination (2007)Music Theory and the White Racial Frame (2020)Chromatic Third-Relations and Tonal Structure in the Songs of Debussy (1995)Tales of Two Tonics: Directional Tonality in Debussy's Orchestral Music (2004)Understanding the leitmotif: from Wagner to Hollywood film music (2016)The Birth of Music out of the Spirit of Drama: An Essay in Wagnerian Formal Analysis (1981)Tonality (2002)Hexatonic Poles and the Uncanny in Parsifal (2007)Musical Scales and the Generalized Circle of Fifths (1986)Supplement to the Theory of Augmented-Sixth Chords (1995)Self-Similar Pitch Structures, Their Duals, and Rhythmic Analogues (1996)
this work references cited by second hop

References

  • 1977Structural Functions in Music330 cited
  • 1982Harmony and Voice Leading225 cited
  • 1987Schumann and Late Eighteenth-Century Narrative Strategies192 cited
  • 1977The Structure of the "Ring" and Its Evolution127 cited
  • 1981Tonal implications of the diatonic set114 cited
  • 1988The Rhetoric of Genre: Chopin's Nocturne in G Minor77 cited
  • 1983Ernst Kurth and the Analysis of the Chromatic Music of the Late Nineteenth Century36 cited
  • 1948Bruckner, Mahler, Schoenberg29 cited
  • 1986Mahler's tonal strategies: A study of the song cycles†7 cited

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