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Cited by

• 1991Vestiges of the Isorhythmic Tradition in Mass and Motet, ca. 1450-147578 cited
• 1984Musical Patronage at the Royal Court of France under Charles VII and Louis XI (1422-83)78 cited
• 1999"And Josquin Laughed..." Josquin and the Composer's Anecdote in the Sixteenth Century72 cited
• 1990From Paris to St. Andrews: The Origins of W168 cited
• 1982Notes on the Origin of the Parisian Chanson56 cited
• 2012Glorious Sounds for a Holy Warrior: New Light on Codex Turin J.II.953 cited
• 1988Toward a Typology of the "Renaissance" Chanson50 cited
• 2001Performing for Strangers: Women, Dance, and Music in Quattrocento Florence47 cited
• 2002Tonal organization in seventeenth-century music theory42 cited
• 1991Games of Venus: Secular Vocal Music in the Late Quattrocento and Early Cinquecento40 cited
• 2002Counterpoint pedagogy in the Renaissance40 cited
• 2002Notes, scales, and modes in the earlier Middle Ages39 cited
• 1976Josquin's Chansons: Ignored and Lost Sources37 cited
• 2012A History of Singing33 cited
• 1995Musical Patronage in the Royal Chapel of France under Francis I (r. 1515-1547)