Schenker's Argument and the Claims of Music Theory Leslie D. Blasius Studies in Music Theory and Analysis Vol. 9 New York: Cambridge University Press, 1996 200 Pp.

Abstract

Foreword Ian Bent Preface Part I. The Appeal to Psychology: 1. A new program for music theory 2. The psychologistic argument 3. The contrapuntal laboratory 4. An epistemological crisis and a plausible solution 5. A descriptive and analytic psychology Part II. The Historiological Imperative: 6. The authority of history 7. The improvisational imagination, editing, execution 8. The interior performance 9. The paleographic argument 10. The philological paradigm Part III. The Objective Synthesis: 11. The coordination of discourses 12. System and synthesis 13. Closure 14. Representation 15. A priori and a posteriori theories 16. Two polemics 17. The function of ideology Bibliography Indexes.

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