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Disney’s Second Line: New Orleans, Racial Masquerade, and the Reproduction of Whiteness in The Princess and the Frog
16 references·0 citing·31 second hop
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References

  • 1998The possessive investment in whiteness: how white people profit from identity politics2,402 cited
  • 1999Blackness visible: essays on philosophy and race760 cited
  • 1988From Slavery to Freedom: A History of Negro Americans509 cited
  • 1999The Jazz cadence of American culture424 cited
  • 1997To 'joy my freedom: southern black women's lives and labors after the Civil War406 cited
  • 1998To 'Joy My Freedom: Southern Black Women's Lives and Labors after the Civil War371 cited
  • 1997Blackface, White Noise: Jewish Immigrants in the Hollywood Melting Pot.347 cited
  • 2008The world that made New Orleans: from Spanish silver to Congo Square175 cited
  • 2001The deathly embrace: Orientalism and Asian American identity128 cited
  • 2006Multiculturalism and the Mouse: Race and Sex in Disney Entertainment88 cited
  • 1988Mardi Gras Indians: Carnival and Counter-Narrative in Black New Orleans63 cited
  • 1995All on a Mardi Gras Day56 cited
  • 2007The Disneyfication of New Orleans: The French Quarter as Facade in a Divided City53 cited
  • 1989Jazz and American Culture50 cited
  • 1994Behind the Lines: The Black Mardi Gras Indians and the New Orleans Second Line44 cited

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  • 1996All on a Mardi Gras Day: Episodes in the History of New Orleans Carnival.36 cited
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