Romancing the Father in Claire Denis's 35 Shots of Rum

James S. Williams

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Cinema History and Criticism Cinema and Media Studies Ethics, Aesthetics, and Art

Abstract

This article explores how 35 Shots of Rum (2009) marks a radical shift in Claire Denis's method both formally and thematically. Through a highly personal homage to Ozu that decisively “corrects” Late Spring (1949), Denis romances the figure of the Father in order to move beyond violence and fragmentation.

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2011Claire Denis's Flickering Spaces of Hospitality 2014Claire Denis and the World Cinema of Refusal

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